BRUNO MENDES DA SILVA

BRUNO MENDES DA SILVA

Email: bsilva@ualg.pt

Personal Website: https://bruno.oscaminhosquesebifurcam.ciac.pt

Brief CV: Bruno Mendes da Silva has a postdoctoral degree in the scoop of the project “The forking paths: Hypotheses of Interactivity for the Cinema of the Future”, by the University of the Algarve (UAlg), he earned a PhD in Literature and Cinema (Comparative Literature) by UAlg, postgraduate degree in Arts Management from the Institute of European Studies of Macau (IEEM) and a degree in Cinema and Video from the ESAP (Porto School of Arts). He is an adjunct professor at the School of Education and Communication (ESEC) at the University of Algarve. He is Vice-coordinator of the Center for Research in Arts and Communication. He was a TV Producer and Director at Teledifusão de Macau (TDM), between 1995 and 2000 and has been invited to participate in international video, digital media and film festivals such as FRESH (Thailand), Dokanema (Mozambique), Loop (Spain), the Festival of La Imagen and Ecologias Digitales (Colombia) and FILE (Brazil). He has participated in 11 scientific projects (as responsible investigator or research member) and is the author of several books, book chapters and other scientific publications (over 60). He supervised a number of PhD and Master’s thesis. He is a reviser of several national and international scientific journals. Member of the winning team of the Ceratonia Scientific Award.

Research Interests:  He has dedicated the last decade to the research of the relations between Communication, Art and Technology. He is currently Vice-coordinator of the Center for Research in Arts and Communication and member of the Scientific Board of Artech International.

Latests Publications:

Tavares, M. N., Mendes da Silva, B., Reia-Batista, V., & António, R. (2019). The Forking Paths Revisited experimenting on Interactive Film. In A. Ursyn (Ed.),Interface Support for Creativity, Productivity, and Expression in Computer Graphics (pp. 150-166). Hershey, PA: IGI Global. doi:10.4018/978-1-5225-7371-5.ch007 (no prelo).

Tavares, M. e Silva B. (2018). “Cadavre Exquis – Do onírico à interatividade fílmica.” In Tavares, M. e Boto, S. (2018). Digital Culture – A State of the ArtCoimbra, Grácio.

Silva, B.; António, R.; Rodrigues, J.; Tavares, M. (2017). Experimenting on film: technology meets arts, International Journal of Creative Interfaces and Computer Graphics (IJCICG) Volume 8, Issue 1. doi: 10.4018/IJCICG.2017010104.

Silva, B.; Tavares, M; Reia-Baptista, V. (2016). “Interactivity, Cinema and Experimentation: The Forking Paths”, International Journal of Creative Interfaces and Computer Graphics. doi: 10.4018/IJCICG.2016070106.

Silva, B., Rodrigues, J., et alii. (2016). “PRHOLO – 360º Interactive Public Relations” in Handbook of Research on Human-Computer Interfaces, Developments, and Applications, IGI. DOI: 10.4018/978-1-5225-0435-1.ch007.

Silva, B.; Tavares, M.; Reia-Baptista, V. Costa, S. (2016). “Considerando o tempo (e o cinema [interativo]) – segunda parte”, in Carrega, J.; Fechine, I. (Cord.) – Perspectivas luso-brasileiras em Artes e Comunicação, Universidade de Paraíba.ISBN: 978-989-20-6501-4.

Silva, Bruno M., Costa, Susana. (2016). Cinema e interatividade: da gare de Ciotat rumo ao videoclip interativo, Revista RELIC, V3, N2; 54-57. ISSN: 2357-8807.

Silva, B. ; Tavares, M.; Reia, V. (2016). Os Caminhos que se Bifurcam: hipóteses de interatividade para o cinema do futuro. Atas do II Simpósio Internacional Fusões no Cinema. ISBN 978-989-98948-3-9.

Silva, B.; Costa, S. (2016). CULTURE AND DIGITAL ART NETWORK: THE RECARDI PROJECT. VIII Jornadas do CIAC (2013). ISBN 978-989-8472-81-6.

Silva, B; António, R.; Rodrigues. (2015), J. Políptico dialético um protótipo de interface para filme interative. Avanca Cinema Edições Cineclube de Avanca. ISBN 978-989-96858-6-4.

Silva, B. (2013). Les sentiers qui se bifurquent : l’expérience temporelle de la narrative filmique. L´art du portrait dans la littérature et les arts visuels, Actes du Colloque, Kairoan, Tunísia. ISBN : 978-3-8416-6875-2.

Silva, B; António, R.; Rodrigues, J. (2015). Dialectical Polyptych: an interactive movie, Third International Conference On Advances in Computing, Communication and Information Technology – CCIT. BIRMINGHAM, UK. ISBN: 978-1-63248-061-3. doi: 10.15224/978-1-63248-061-3-83.

Silva, B; Dominguez, M.; Paulino, F.  (2015). Considerando o docu-game como modelo de representação do património cultural imaterial, 7th International Conference on Digital Arts – ARTECH proceedings. Óbidos, Portugal. ISBN: 978-989-99370-0-0

Silva, Bruno M.; Sales, Albio (Coord.) (2015). Poéticas Contemporâneas – Arte e Tecnologia, Edições Universidade Federal do Ceará, ISBN: 978-85-7826-262-4.

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