PEDRO ALVES DA VEIGA
Personal Website: https://pedroveiga.com
Ciência ID: 4E19-DA38-48BA
Brief CV: Pedro Alves da Veiga is a transdisciplinary artist and researcher. He holds a degree in Computer Science (Nova University of Lisbon), a post-graduation in Advanced Studies of Digital Media Art (Aberta University) and a PhD in Digital Media Art (Aberta University and University of Algarve). He is also an invited Professor at the Aberta University, in Lisbon, and at the Cascais School of Arts & Design, following a two decade business career in web-design and information systems, including the launch and sale of two IT companies and several multimedia and web-design awards. He is a member of CIAC and regularly publishes and shares results of his research on multimedia generative systems and also on the impacts of experience, attention and ubiquity economies in digital art ecosystems. His artworks have been exhibited in Portugal, China and USA.
Research Interests: Generative art, art and society, sustainability, artivism, hactivism, digital art curating. He has been actively engaged in several research projects involving art, science and technology.
Arantes, P., Sá, V., Veiga, P.A., Marcos, A.F. (Eds.) (2019). Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. ACM: Nova Iorque, Estados Unidos da América. ISBN: 978-1-4503-7250-3
Veiga, P.A. (2019). A/r/cography – Art, Research and Communication. In Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. DOI: 10.1145/3359852.3359859
Marques, A.C & Veiga, P.A. (2019). Digital Artivism and Collaborative Artistic Practices – Introduction in the School Environment as a Citizenship Development Tool. In Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. DOI: 10.1145/3359852.3359863
Veiga, P.A. (2019). Digital Art in the Age of Blackboxing and Blurring. Arts In Society 2019, Fourteenth International Conference on The Arts in Society, Lisboa, Portugal.
Veiga, P.A. (2019). Arte Quântica. In INTERACT, Revista Online de Arte, Ciência e Cultura, Centro de Estudos de Comunicação e Linguagens e CIC.Digital, Pólo FCSH, Lisboa, Portugal. Disponível em: http://interact.com.pt/30-31/arte-quantica/
Veiga, P.A. (2019). Principium: investigação criativa versus criatividade investigada. 1º Seminário Universidade Fernando Pessoa em Investigação Criativa, no cruzamento de Arte(s), Ciência(s) e Tecnologia(s), Porto, Portugal.
Dias, José Rodrigues; Penha, Rui; Morgado, Leonel; Alves da Veiga, Pedro; Carvalho, Elizabeth Simão; Fernandes-Marcos, Adérito (2019). Tele-Media-Art: Feasibility Tests of Web-Based Dance Education for the Blind Using Kinect and Sound Synthesis of Motion. International Journal of Technology and Human Interaction (IJTHI), 15(2). IGI-GLOBAL, pp. 11-28.
Veiga, Pedro (2018). You&Me. Artech-Int. Editions: Lisbon. ISBN: 978-989-99370-8-6
Veiga, Pedro (2018). You&Me (the infinite constellation of our senses). Proceedings of ARTeFACTo 2018, 1st International Conference of Transdisciplinary Studies in Arts, Technology and Society. Universidade Aberta, Lisboa.
Veiga, Pedro; Araújo, António; Marcos, Adérito (Eds.) (2018). Proceedings of ARTeFACTo 2018, 1st International Conference of Transdisciplinary Studies in Arts, Technology and Society. Artech-Int. Editions: Lisbon. ISBN: 978-989-99370-7-9
Veiga, Pedro (2017). Blended Reality: An analysis through the recent evolution of digital media art ecosystems. In Con la Red / En la Red: creación, investigación y comunicación cultural y artística en la era Internet, Lidia Bocanegra Barbecho (Medialab UGR), Ana García López (Eds.). Universidade de Granada, Downhill Publishing: New York, pp. 420-442.
Veiga, Pedro; Tavares, Mirian & Alvelos, Heitor (2017). Ecossistemas na blended-society: a experiência da média-arte digital. In CIBERCULTURA Circum-navegações em redes transculturais de conhecimento, arquivos e pensamento, Helena Pires, Manuel Curado, Fábio Ribeiro, Pedro Andrade (Coords.). Edições Húmus: V. N. Famalicão, pp: 115-132.
Veiga, Pedro (2017). Alchimia: A Non-Touch Interactive Artwork. International Journal of Creative Interfaces and Computer Graphics (IJCICG), 8(2). IGI-GLOBAL, pp. 13-22.
Veiga, Pedro (2017). Alchimia: an inexplicable or mysterious transmutation, a seemingly magical process of transformation, creation or combination. Proceedings of ARTECH International Conference 2017. Universidade de São José, Macau, pp. 175-178.
Veiga, Pedro (2017). From Generative to Performing. Proceedings of xCoAx 2017 International Conference. FBAUL, Lisboa. pp. 193-203.
Veiga, Pedro; Tavares, Mirian & Alvelos, Heitor (2017). How experience, attention and ubiquity economies affect the role of digital media art and artists. Journal of Spatial and Organizational Dynamics V(3), pp. 222-238.
Veiga, Pedro (2017). Generative Theatre of Totality. Journal of Science and Technology of the Arts, [S.l.], 9(3), p. 33-43.
Veiga, Pedro (2016). Bridging the divide: e-society or ecosystem? An analysis through digital-media art. Proceedings of IADIS e-Society Conference 2016, Vilamoura.
Veiga, Pedro (2016). Principium. ISBN: 978-136-67693-3-6.