{"id":3519,"date":"2024-01-19T05:48:27","date_gmt":"2024-01-19T05:48:27","guid":{"rendered":"https:\/\/ciac.pt\/?p=3519"},"modified":"2025-02-14T20:10:05","modified_gmt":"2025-02-14T20:10:05","slug":"bruno-miguel-dos-santos-mendes-da-silva","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/bruno-miguel-dos-santos-mendes-da-silva\/","title":{"rendered":"Bruno Mendes da Silva"},"content":{"rendered":"\n
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Bruno Mendes da Silva<\/h2>\n\n\n\n
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bsilva@ualg.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/4E1C-88E4-3670<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0003-3207-5667<\/a><\/p>\n\n\n\n

https:\/\/bruno.oscaminhosquesebifurcam.ciac.pt<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Bruno Mendes da Silva holds a Habilitation and Postdoctoral degree in Communication, Culture, and Arts from the University of Algarve (UAlg), a PhD in Literature and Film at UAlg, a post-graduate degree in Arts Management at the Institute of European Studies of Macau (IEEM) and a degree in Film and Video at the Art School of Porto (ESAP). <\/p>\n\n\n\n

He is the President of the Technical-Scientific Council and Director of the Department of Communication at the School of Education and Communication (ESEC) of UAlg and Vice-coordinator of the Research Center in Arts and Communication (CIAC). He is Visiting Professor at Saint Joseph University of Macau. He was a director and producer for Teledifus\u00e3o de Macau (TDM). He has participated, by invitation, in international festivals of video, digital media art and cinema, such as FRESH (Thailand), Thinking Media (Korea), Dokanema (Mozambique), Loop (Spain), Festival de La Imagen and Ecologias Digitales (Colombia), The Script Road (China) and FILE (Brazil). <\/p>\n\n\n\n

He has participated in twenty-trhee (23) scientific projects (as responsible researcher or research member) and is the author of several books, book chapters and other scientific publications (around 120). He has been an invited speaker in Portugal, Spain, France, Italy, Tunisia, Mozambique, Brazil, Colombia, Sri Lanka, Thailand, Vietnam, South Korea and China. He has supervised seven (7) doctoral theses. He is Director of Rotura – Revista de Comunica\u00e7\u00e3o, Cultura e Artes (Scopus) and Coordinator of Metared Portugal’s Educational Technologies Working Group.<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

Interactive Film, Audiovisual Communication, Digital Media-Art, Cyberculture and Visual Culture.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2024]<\/strong> Costa, S., Mendes da Silva, B., Filipa Martins, A., & Martins, A. (2024). Perceptions about online hate speech in games and gaming communities: results from a survey in Portugal. Journal of Cyberspace Studies<\/em>, 8<\/em>(1), 145-176. DOI: 10.22059\/jcss.2024.95910<\/p>\n\n\n\n

[2024]<\/strong> Costa, S., Mendes da Silva, B., Tavares, M. (2024). Online Hate speech in Video Games Communities: A Counter Project. In: Ullmann, S., Tomalin, M. (eds) Counterspeech – Multidisciplinary Perspectives on Countering Dangerous Speech<\/em>. Routledge. ISBN 9781032454535.<\/p>\n\n\n\n

[2024]<\/strong> Costa, S., Tavares, M., Bidarra, J., Mendes da Silva, B. (2024). In[the Hate Booth]: A Case Study on How to Deal with Online Hate Speech. In: Martins, N., Brand\u00e3o, D., Fernandes-Marcos, A. (eds) Perspectives on Design and Digital Communication IV. Springer Series in Design and Innovation<\/em>, vol 33. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-41770-2_17<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2024]<\/strong> Martins, A., Carrega, J., d\u2019Orey, R., Mendes da Silva, B. (2024). From Print to Pixels: Prototyping a Virtual Exhibition for the Faro Museum Poster Collection. In: Martins, N., Brand\u00e3o, D. (eds) Advances in Design and Digital Communication IV. DIGICOM 2023<\/em>. Springer Series in Design and Innovation, vol 35. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-47281-7_7<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2024]<\/strong> Martins, A., Mendes da Silva, B. (2024). Text-Image-Movement-Interaction: Written Words and Their Artistic Paradigms in Video and Virtual Systems. In: Martins, N., Brand\u00e3o, D., Fernandes-Marcos, A. (eds) Perspectives on Design and Digital Communication IV. Springer Series in Design and Innovation<\/em>, vol 33. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-41770-2_17<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Arg\u00f4lo I., Silva, B. M., Borges, G. (2023). \u201cRejeitorio\u201d: The battle of man against a river: Contextualization and creative process of the second version of the artifact. In Proceedings of Artcech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus)<\/p>\n\n\n\n

[2023]<\/strong> Artech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus) <\/p>\n\n\n\n

[2023]<\/strong> Brand\u00e3o, D. (eds) Advances in Design and Digital Communication III. DIGICOM 2022. Springer Series in Design and Innovation , vol 27. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-20364-0_27<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Costa, S., Silva, B. M. (2023). \u00c2mago II: The Creative Process of an Underwater Vietnamese Self-Portrait . In Proceedings of Artcech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus) <\/p>\n\n\n\n

[2023]<\/strong> Costa, S., Tavares, M., Bidarra, J., da Silva, B.M. (2023). IN[The Hate Booth]:<\/em> a Gamified Installation to Counteract Hate Speech. In: Brooks, A.L. (eds) ArtsIT, Interactivity and Game Creation. ArtsIT 2022. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering<\/em>, vol 479. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-28993-4_12<\/a>. (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Costa, S., Silva, B. M. (2023). Insights from a digital diary: Exploring the Creative Process of the game-installation In[The Hate Booth]. In Proceedings of Artcech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus) <\/p>\n\n\n\n

[2023]<\/strong>Costa, S., Tavares, M., Bidarra, J., da Silva, B.M. (2023). IN[The Hate Booth]: a Gamified Installation to Counteract Hate Speech. In: Brooks, A.L. (eds) ArtsIT, Interactivity and Game Creation. ArtsIT 2022. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, vol 479. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-28993-4_12<\/a>. (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Costa, S., Tavares, M., Bidarra, J., Mendes da Silva, B. (2023). The Enredo Game-Installation: A Proposal to Counter Hate Speech Online. In: Martins, N., Brand\u00e3o, D. (eds) Advances in Design and Digital Communication III. DIGICOM 2022. Springer Series in Design and Innovation , vol 27. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-20364-0_27<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> d’Orey, R., Martins, A.,  Carrega, J.,  Silva, B. M. (2023). Dematerializing materials: description of the first stages to digitize a museum exhibition with 3D technologies. In Proceedings of the 20th International Conference on Culture and Computer Science: Code and Materiality<\/em> (KUI ’23). Association for Computing Machinery, New York, NY, USA, Article 15, 1\u20138. https:\/\/doi.org\/10.1145\/3623462.3623466<\/a>. (Scopus)<\/p>\n\n\n\n

[2023]<\/strong> Martins, A., Silva, B.M. (2023). Digital Wor(l)ds: Using Dynamic Typography as a Mean of Artistic Expression in Digital and Audiovisual Settings. In: Martins, N., Brand\u00e3o, D. (eds) Advances in Design and Digital Communication III. DIGICOM 2022. <\/em>Springer Series in Design and Innovation , vol 27. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-20364-0_66<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Martins, A.; Silva, B. M. (2023). Palavra-Imagem-Movimento: Subs\u00eddios da tipografia para o discurso art\u00edstico moderno e contempor\u00e2neo. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, V3(1). DOI: https:\/\/doi.org\/10.34623\/ghjk-mv49<\/a><\/p>\n\n\n\n

[2023]<\/strong> Martins, A., Silva, B.M. (2023). Digital Wor(l)ds: Using Dynamic Typography as a Mean of Artistic Expression in Digital and Audiovisual Settings. In: Martins, N., Brand\u00e3o, D. (eds) Advances in Design and Digital Communication III. DIGICOM 2022. Springer Series in Design and Innovation , vol 27. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-20364-0_66<\/a> (WoS) (Scopus).<\/p>\n\n\n\n

[2023]<\/strong> Martins, A., Gavina, A., & Mendes da Silva, B. (2023). Publicidade nativa: Novos desafios para os consumidores online e o papel da literacia medi\u00e1tica e publicit\u00e1ria. Rotura \u2013 Revista De Comunica\u00e7\u00e3o, Cultura E Artes<\/em>, 48-63. https:\/\/doi.org\/10.34623\/acmp-2e37<\/a><\/p>\n\n\n\n

[2023]<\/strong> Martins, A., d’Orey, R., Carrega, J.,  Silva, B. M. (2023). The Faro Museum poster collection: Demo of a prototype for a digital exhibit. In Proceedings of Artcech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus) <\/p>\n\n\n\n

[2023]<\/strong> Tavares, C.; Vieira, A.; Silva, B. M. (2023). Screendance B\u00e1rbara and its Poetics of BBC Dialogues, or Between Body, Beliefs and the City. Revista Brasileira de Estudos da Presen\u00e7a. V13, n\u00ba2. E-ISSN 2237-2660.<\/p>\n\n\n\n

[2023]<\/strong> da Silva, B. M. (2023). Interactive Film: Forking Paths to a Complete Audiovisual Experience. In A. L. Brooks (Ed.), Creating Digitally. Intelligent Systems Reference Library<\/em> (Vol. 241). Springer, Cham. DOI: 10.1007\/978-3-031-31360-8_15 Link<\/a> <\/p>\n\n\n\n

[2023]<\/strong> Silva, B. M. Et al. (2023). Artech2023 \u2013 Digital Creation Processes, 11stInternational Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers<\/em>, ACM. ISBN: 979-8-4007-0872-5 (suporte impresso).<\/p>\n\n\n\n

[2023]<\/strong> Silva, B. M. Et al. (2023). Artech2023 \u2013 Digital Creation Processes, 11stInternational Conference on Digital and Interactive Arts, Proceedings II \u2013 Long Papers<\/em>, ACM. ISBN: 979-8-4007-0872-5 (suporte impresso).<\/p>\n\n\n\n

[2023] Santos, P., Silva, B. M<\/strong>. (2023). The Weight of Water: Digital Artefact to blow the whistle on mental health issues in swimming athletes. In Proceedings of Artech 2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus)<\/strong> <\/p>\n\n\n\n

[2023]<\/strong> Perfeito, A., Silva, B. M. (2023). Live Cinema: Composing Linear Narratives through Untouchable Interfaces and the Performers\u2019 Body Movements. In Proceedings of Artcech2023 \u2013 Digital Creation Processes, 11st International Conference on Digital and Interactive Arts, Proceedings I \u2013 Short Papers. <\/em>Association for Computing Machinery, New York, NY, USA. ISBN: 979-8-4007-0872-5.<\/em> (Scopus) <\/p>\n\n\n\n

[2023]<\/strong> Wexel, J. & Silva, B. M. Tavares, M. (2023). Aesthetic Reflections on Artificial Intellugence in Video Art: Report on the Creation of the Cyberperformance Aretusa Vox. The 10th International Conference on Arts and Humanities<\/em>, ICOAH 2023, Book of Abstracts, Bangkok, Thailand. ISBN: 978-624-5746-43-9. <\/p>\n\n\n\n

[2022]<\/strong> Costa, S., da Silva, B. M., & Tavares, M. (2022). Tackling online hate speech? In M. W\u00f6lfel, J. Bernhardt, & S. Thiel (Eds.), ArtsIT, Interactivity and Game Creation. ArtsIT 2021. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering <\/em>(Vol. 422). Springer, Cham. DOI: 10.1007\/978-3-030-95531-1_6 (WoS) (Scopus) Link<\/a><\/p>\n\n\n\n

[2022]<\/strong> Wexell, J.; Mendes da Silva, B.; Vulva Art , Arte Urbana e M\u00e9dia-Arte Digital: Reflex\u00f5es sobre a estetiza\u00e7\u00e3o da vulva e os discursos est\u00e9ticos no espa\u00e7o p\u00fablico \u2013 G\u00e9nero y sus conferencias en el siglo XXI, CUICIID 2021, Madrid, Espanha. ISBN 978-84-09-31464-5.<\/p>\n\n\n\n

[2021]<\/strong> Silva, Bruno M. (2021), Comunica\u00e7\u00e3o Audiovisual: o comboio do amor<\/em>. Coimbra: Gr\u00e1cio Editor.<\/p>\n\n\n\n

[2021]<\/strong> Arg\u00f4lo, I.; Mendes da Silva, B.; Borges, G. Rejeitorio: An interactive video installation focusing on human impact on the S\u00e3o Francisco River. 2021. Artech 2021: 1oth International Conference on Digital and Interactive Arts \u2013 Hybrid Praxis \u2013 Art, Sustainability and Technology<\/em>. Aveiro. ISBN 978-1-4503-8420-9.<\/p>\n\n\n\n

[2021]<\/strong> Arg\u00f4lo, In\u00eas; Mendes da Silva, B.; Borges, Gabriela. Rejeitorio: Uma videoinstala\u00e7\u00e3o interativa acerca do impacto humano recente sobre o Rio S\u00e3o Francisco. 2021. Anais do VIII Simp\u00f3sio Internacional de Inova\u00e7\u00e3o em M\u00eddias Interativas.<\/em> Val\u00e8ncia, Espanha : Universitat Polit\u00e8cnica de Val\u00e8ncia; Media Lab \/ BR. ISSN 2358-0488.<\/p>\n\n\n\n

[2021]<\/strong> Arg\u00f4lo, In\u00eas; Mendes da Silva, B.; Borges, Gabriela. Rejeitorio: Uma videoinstala\u00e7\u00e3o interativa acerca do impacto humano recente sobre o Rio S\u00e3o Francisco. 2021. Anais do 20o . Encontro Internacional de Arte e Tecnologia. 8vo. Balance-Unbalance. PANORAMAS 2021. <\/em>Val\u00e8ncia, Espanha. ISSN 2238-0272.<\/p>\n\n\n\n

[2021]<\/strong> Costa, S.; Mendes da Silva, B.; Tavares M. Video games and gamification against online hate speech? 2021. Artech 2021: 1oth International Conference on Digital and Interactive Arts \u2013 Hybrid Praxis \u2013 Art, Sustainability and Technology. Aveiro.<\/em> ISBN 978-1-4503-8420-9.<\/p>\n\n\n\n

[2021]<\/strong> Costa, S.; Mendes da Silva, B. Cidade e Jogo: Prototipagem de um Jogo Pervasivo para combater o discurso de \u00f3dio online. Revista H\u00famus<\/em>. V11, n\u00ba25: Brasil e Portugal leituras, experimenta\u00e7\u00f5es, pr\u00e1ticas comunit\u00e1rias e coes\u00e3o social e territorial. 2021. ISSN 2236-4358.<\/p>\n\n\n\n

[2021]<\/strong> Cristov\u00e3o A.; Mendes da Silva, B. Nineteen eighty-four: um di\u00e1logo entre fic\u00e7\u00e3o e contemporaneidade. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, n\u00ba 2, 2021. DOI: https:\/\/doi.org\/10.34623\/2vyx-m252<\/a>.<\/p>\n\n\n\n

[2021]<\/strong> Mendes da Silva, B. Interatividade f\u00edlmica: experi\u00eancia est\u00e9tica, processos comunicacionais e manipula\u00e7\u00e3o temporal. Atas do 24\u00ba Semin\u00e1rio de Pesquisa. Revista Tuiti \u2013 Ci\u00eancia e Cultura.<\/em> V7 \u2013 Edi\u00e7\u00e3o Especial. 2021. DOI: https:\/\/doi.org\/10.35168\/2176-896X.UTP.Tuiuti.2021.Vol7.NEspecial.pp4-124<\/a> .<\/p>\n\n\n\n

[2021]<\/strong> Mendes da Silva, B.; Lunefeld, P.; Shaw, J.; Koenitz, H.; Tavares, M.; Giannetti, C. (2021), The Forking Paths: Interactive Film and Media<\/em>. Edi\u00e7\u00f5es Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o. ISBN: 978-989-9023-53-6 (suporte impresso) e 978-989-9023-54-3 (suporte eletr\u00f3nico).<\/p>\n\n\n\n

[2021]<\/strong> Mendes da Silva, B.; Tavares, M.; Araujo, A.; Costa, S. (2021), Cadavre Exquis: Forking Paths from surrealismo to interactive film. The Forking Paths: Interactive Film and Media<\/em>. Edi\u00e7\u00f5es Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o. ISBN: 978-989-9023-53-6 (suporte impresso) e 978-989-9023-54-3 (suporte eletr\u00f3nico).<\/p>\n\n\n\n

[2021]<\/strong> Perfeito, A.; Mendes da Silva, B. (2021), \u201cLive Cinema\u201d and the challenges in creating narratives for \u201creal time\u201d performances: A solution based on the \u201cStructure of the three acts\u201d. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, n\u00ba 1. https:\/\/doi.org\/10.34623\/eyzn-0b15<\/a><\/p>\n\n\n\n

[2020]<\/strong> Mendes da Silva, B. (Coord.) (2020), ARTeFACTo2020, International Conference on Digital Creation in Arts and Communication, Proceedings.<\/em> Edi\u00e7\u00f5es CIAC. ISBN: 978-989-9023-32-1 (suporte impresso) e 978-989-9023-33-8 (suporte eletr\u00f3nico)<\/p>\n\n\n\n

[2020]<\/strong> Mendes da Silva, B. (Eds.) (2020). Proceedings of the International Conference on Digital Creation in Arts and Communication, ARTeFACTo2020. Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o https:\/\/ciac.pt\/wp-content\/uploads\/2020\/11\/ARTeFACTo2020_BookOfProceedingsWeb.pdf<\/a><\/p>\n\n\n\n

[2020]<\/strong> Mendes da Silva, B. & Costa, S. (2020). \u201cProcessos de comunica\u00e7\u00e3o e intera\u00e7\u00e3o medi\u00e1tica: o caso do an\u00e3o sobre os ombros do gigante\u201d. Texto Digital<\/em>, vol. 16, n. 2. https:\/\/periodicos.ufsc.br\/index.php\/textodigital\/issue\/view\/3171<\/a><\/p>\n\n\n\n

[2020]<\/strong> Mendes da Silva, B. & Costa, S. (2020). \u201cModelos de interatividade e interatividade f\u00edlmica total\u201d. Revista Tr\u00edade \u2013 Comunica\u00e7\u00e3o, Cultura e M\u00eddia<\/em> v. 8 n. 19: M\u00eddias Visuais: arte, imagem, imagin\u00e1rio e audiovisual. http:\/\/periodicos.uniso.br\/ojs\/index.php\/triade\/article\/view\/4131\/3853<\/a><\/p>\n\n\n\n

[2020]<\/strong> Tavares, M. N., Mendes da Silva, B., Reia-Batista, V., & Ant\u00f3nio, R. (2019). The Forking Paths Revisited experimenting on Interactive Film. In A. Ursyn (Ed.),Interface Support for Creativity, Productivity, and Expression in Computer Graphics <\/em>(pp. 150-166). Hershey, PA: IGI Global. doi:10.4018\/978-1-5225-7371-5.ch007<\/a>.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n