{"id":4118,"date":"2024-01-30T14:13:38","date_gmt":"2024-01-30T14:13:38","guid":{"rendered":"https:\/\/ciac.pt\/?p=4118"},"modified":"2025-09-30T13:00:22","modified_gmt":"2025-09-30T12:00:22","slug":"pedro-jorge-agostinho-alves-da-veiga","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/pedro-jorge-agostinho-alves-da-veiga\/","title":{"rendered":"Pedro Jorge Agostinho Alves da Veiga"},"content":{"rendered":"\n
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Pedro Alves da Veiga<\/h2>\n\n\n\n
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me@pedroveiga.com<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/4E19-DA38-48BA<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0001-9738-3869<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Pedro Alves da Veiga is an artist and transdisciplinary researcher, with a degree in Computer Engineering from the Faculty of Science and Technology of Universidade Nova de Lisboa, a postgraduate degree in Advanced Studies in Digital Media Art from Universidade Aberta and a PhD in Digital Media Art from Universidade do Algarve and Universidade Aberta. He teaches in the Department of Science and Technology at the Universidade Aberta and at the Cascais School of Arts & Design, has been involved in business for over two decades and has won several awards for web design and multimedia. He is a researcher at CIAC and regularly shares the results of his research at conferences and specialized scientific publications on the social role and influences of the economies of attention and experience in the digital media-art ecosystem. He also develops artistic activity in assemblage, generative creative programming and digital audiovisuals. His work has been exhibited individually and collectively in Portugal, China and the United States.<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

Generative art, art and society, sustainability, artivism, hactivism, digital art curation. He has participated in various research projects involving art, science and technology.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2024]<\/strong> Pinheiro, B., Veiga, P., & Branco, P. D. (2024). Aperfei\u00e7oamento da forma\u00e7\u00e3o de bombeiros atrav\u00e9s da realidade virtual: Perspetivas sobre benef\u00edcios, desafios e integra\u00e7\u00e3o tecnol\u00f3gica. Vista<\/em>, (14). e-ISSN 2184-1284.<\/p>\n\n\n\n

[2024] <\/strong>Veiga, P.A. (2024). Resonant Aesthetics: Attention and Synaesthesia in Digital Media Art. In Correia Castilho, L., Sampaio Dias, R., Rocha, L., de Sousa Dias, A. (eds) Perspectives on Music, Sound and Musicology II<\/em>. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-67503-4_18<\/a><\/p>\n\n\n\n

[2024] <\/strong>Veiga, P.A. (2024). Ciberperformance: da transposi\u00e7\u00e3o \u00e0 inova\u00e7\u00e3o.  Dedalus \u2013 Revista Portuguesa de Literatura Comparada, 26<\/em>.<\/p>\n\n\n\n

[2024]  <\/strong>Ribeiro, R.S. & Veiga, P.A. (2024). Videoarte e arte generativa: performatividade videogr\u00e1fica, tecnodiversidade e IA generativa \u2013 aproxima\u00e7\u00f5es e repercuss\u00f5es: performatividade videogr\u00e1fica, tecno diversidade e IA generativa \u2013 aproxima\u00e7\u00f5es e repercuss\u00f5es. Atas do XI Simp\u00f3sio Internacional de Inova\u00e7\u00e3o em M\u00eddias Interativas, UNIFESSPA, Marab\u00e1, Brasil.<\/em><\/p>\n\n\n\n


[2024] <\/strong>Barreto, S., Alvelos, H., Lima, C., Carneiro, J., da Veiga, P. A., Penedos-Santiago, E., Fernandes, M., Martins, N. & Dolbeth, J. (2024). Visualizing Science: Crafting Memes in Design Pedagogy. In Proceedings of DESIGN COMMIT 2024, Braga. <\/em><\/p>\n\n\n\n

[2024] <\/strong>Mestre, R., d\u2019Orey, R., & Veiga, P.A. (2024). MY MONO NO AWARE \u2013 Um passeio sonoro interativo para a promo\u00e7\u00e3o de autorreconhecimento. Rotura \u2013 Revista De Comunica\u00e7\u00e3o, Cultura e Artes, 4<\/em>(1), 196-211. https:\/\/doi.org\/10.34623\/dbm8-m461<\/a> <\/p>\n\n\n\n

[2024] <\/strong>Alvelos, H., Barreto, S. Penedos-Santiago, E., Pereira, J.,  Chatterjee, A., Veiga, P.A. & Lima, R. (2024). When in Memeland, Speak in Memes: Contributions of Design Towards the Betterment of Online Behavior Regarding Public Health. InMartins, N., Brand\u00e3o, D. (eds) Advances in Design and Digital Communication IV. DIGICOM 2023. Springer Series in Design and Innovation<\/em>,  35. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-47281-7_39<\/a><\/p>\n\n\n\n

[2024]<\/strong> Veiga, P. A. (2024). Dos jogos s\u00e9rios \u00e0 arte digital: Artefactos, espa\u00e7os e estrat\u00e9gias. In M. Carvalhais, & L. Ribas (Orgs.), Arte, Digital, Academia, Museu Zer0<\/em> (pp. 83-102). Museu Zer0; I2ADS. https:\/\/doi.org\/10.34626\/2024\/978-989-9049-70-3<\/a><\/p>\n\n\n\n

[2023] <\/strong>Alves da Veiga, A. (2023). Intersec\u00e7\u00f5es est\u00e9ticas e po\u00e9ticas no artivismo contempor\u00e2neo: arte computacional, audiovisual e generativa. Novos Olhares<\/em> 11(2): 205276. 10.11606\/issn.2238-7714.no.2022.205276.<\/p>\n\n\n\n

[2023] <\/strong>Alvelos, H.; Barreto, S.; Lima, C.; Penedos-Santiago, E.; Pereira, J. & Veiga, P.A. (2023). Just Between Meme and You: Online Memes as Health Communication Tools in Design and Media Arts Higher Education Curricula. In Proceedings of IAFOR 2023: The Paris Conference on Education, Paris, France<\/em>. 10.22492\/issn.2758-0962.2023.57<\/p>\n\n\n\n

[2023] <\/strong>Alvelos, H.; Pereira, J.; Chatterjee, A.; Barreto, S.; Veiga, P.A.; Lima, C. & Penedos-Santiago, E. (2023). When in Memeland, Speak in Memes: Contributions of Design Towards the Betterment of Online Behavior Regarding Public Health. In Advances in Design and Digital Communication IV. Springer.<\/em> 10.1007\/978-3-031-47281-7_39<\/p>\n\n\n\n

[2023] <\/strong>Alvelos, H.; Barreto, S.; Pereira, J.; Chatterjee, A.; Veiga, P.A.; Lima, C. & Santiago, E. (2023). When in Memeland, Speak in Memes: contributions of design towards the betterment of online behavior regarding public health. In Proceedings of DIGICOM 2023, 7th International Conference on Design and Digital Communication<\/em>, Barcelos, Portugal.<\/p>\n\n\n\n

[2023] <\/strong>Bidarra, J.; Veiga, P.A.; Sapucaia, R.; Wexel, J.; Tavares, M. & Costa, S. (2023). Desenvolvimento de um modelo pedag\u00f3gico virtual paras as Artes performativas digitais. RE@D – Revista de Educa\u00e7\u00e3o a Dist\u00e2ncia e Elearning<\/em> 6(1), 1-16. 10.34627\/redvol6iss1e202301<\/p>\n\n\n\n

[2023] <\/strong>Bidarra, J.; Mapar, M.; Caeiro, S.; Bacelar-Nicolau & P.; Veiga, P.A. (2023). Integrating Sustainability into Art and Design Education: Curriculum Development. In Proceedings of 29th International Conference of the International Sustainable Development Research Society <\/em>– 2023, Malaysia.<\/p>\n\n\n\n

[2023] <\/strong>Bidarra; Jo\u00e3o Paz; Jos\u00e9 Cravino & Ana Loureiro (Eds.), 49-63. LE@D, Universidade Aberta.<\/p>\n\n\n\n

[2023] <\/strong>Carvalho, I.; Veiga, P.A.; Bidarra, J. (2023). ARTPRENEUR: uma proposta diferenciadora para a introdu\u00e7\u00e3o ao empreendedorismo no ensino das artes. Aprendendo e Ensinando com Nativos Digitais<\/em>, 87-95. CNE\/Editora Telesapiens.<\/p>\n\n\n\n

[2023] <\/strong>Mestre, R.; Veiga, P.A. & Orey, R. (2023). Um passeio sonoro interativo para a promo\u00e7\u00e3o de autorreconhecimento. In Proceedings of UbiMus2023 International Symposium on Ubiquitous Music<\/em>, Derry, Ireland.<\/p>\n\n\n\n

[2023] <\/strong>Olivero, L.; Veiga, P.A.; Ara\u00fajo, A.; Silva, B. & Dourado, P. (Eds.) (2023). Proceedings of ARTECH 2023, the 11th International Conference on Digital and Interactive Arts: Digital Creation Processes<\/em>. ACM – Digital Library.<\/p>\n\n\n\n

[2023] <\/strong>Trigo, C; Veiga, P.A. & Santana, I. (2023). Poetics of Instability: Subversion of Gravity through Digital Performative Art. In Proceedings of ARTECH 2023 \u2013 Digital Creation Processes, 11th International Conference on Digital and Interactive Arts<\/em>, Faro, Portugal.<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A.; Ara\u00fajo, A. & Bidarra, J. (Eds.) (2023). M\u00e9dia-Arte Digital. Rotura- Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, 3(1). Edi\u00e7\u00f5es CIAC. Faro, Portugal. https:\/\/publicacoes.ciac.pt\/index.php\/rotura\/issue\/view\/31<\/a><\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A.; Ara\u00fajo, A. & Bidarra, J. (2023). M\u00e9dia-Arte Digital: Ampliando Conceitos. Pref\u00e1cio in Rotura, Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, 3(1), 8-11. CIAC, Faro, Portugal.<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). Post-fake artivism: how activism and art can break reflexivity. Science, Technology and Society for a Post-Truth Age<\/em>, Emine Onculer Yayalar & Melike Sahinol (Eds.), 213-240. Vernon Press.<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). Generative Video Art. Creating Digitally – Shifting Boundaries: Arts and Technologies – Contemporary Applications and Concepts, Anthony Brooks (Ed.), 241-266. Springer International Publishing. 10.1007\/978-3-031-31360-8_9<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). Comunica\u00e7\u00e3o, Arte e Tecnologia em Elearning: A Experi\u00eancia do Doutoramento em M\u00e9dia-Arte Digital. Passado, Presente e Futuro(s) do eLearning emPortugal: 10 anos do eLIES, Lina Morgado; Jos\u00e9<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). Generative Ominous Dataset: Testing the Current Public Perception of Generative Art. In Proceedings of KUI ’23: 20th International Conference on Culture and Computer Science: Code and Materiality<\/em>, Lisbon, Portugal. 10.1145\/3623462.3623475<\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). Contemporary Net Art in \u2018The Everywhere Museum of Everything\u2019. Proceedings of POR.POL.NET Colloquium, Lisbon, Portugal.<\/em><\/p>\n\n\n\n

[2023] <\/strong>Veiga, P.A. (2023). The Name of G.O.D.: Generative Ominous Datset. In Proceedings of III Encontro Internacional Lus\u00f3fono Todas As Artes<\/em> | Todos Os Nomes, Porto, Portugal.<\/p>\n\n\n\n

[2022] <\/strong>Veiga, P.A. (2022). The Everywhere Museum of Everything: The Curatorship Challenge, from Digital Urban Art to NFTs. Art, Museums and Digital Cultures – Rethinking Change, Helena Barranha & Joana Sim\u00f5es Henriques (Eds.), 142-156. Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa, in association with maat – Museum of Art, Architecture and Technology.<\/p>\n\n\n\n

[2022] <\/strong>Veiga, P.A. (2022). Patient Zer0: Creating Online Generative Art During the COVID-19 Pandemic. International Journal of Art, Culture, Design, and Technology<\/em> 11(3), 1-19. 10.4018\/IJACDT.314953.<\/p>\n\n\n\n

[2022] <\/strong>Alvelos, H.; Barreto, S.; Veiga, P.A. & Pereira, J. (2022). Mediations between scientific knowledge and cognitive bias: employing semantic assets and semiotic tools of communication design in media content circulation. In Proceedings of IV Confer\u00eancia Internacional Comunicar Ci\u00eancia<\/em>, Covilh\u00e3, Portugal.<\/p>\n\n\n\n

[2022] <\/strong>Travasso, R.; Veiga, P.A. & Gomes, J. (2022). Major Events that Changed the Instrumentalists’ Performance. International Journal of Music Science, Technology and Art<\/em> 4(1), 50-62. 10.48293\/IJMSTA-86.<\/p>\n\n\n\n

[2022] <\/strong>Travasso, R.; Veiga, P.A. & Gomes, J. (2022). A Influ\u00eancia da M\u00e9dia-Arte Digital no Instrumentista e na sua Performance – Novos Caminhos Performativos. In Proceedings of ARTeFACTo 2022, 3rd International Conference on Digital Creation in Arts, Media and Technology<\/em>, Macau, China.<\/p>\n\n\n\n

[2022] <\/strong>Veiga, P.A. (2022). Ciberperformance: da transposi\u00e7\u00e3o \u00e0 inova\u00e7\u00e3o. In Proceedings of VIII Congresso da Associa\u00e7\u00e3o Portuguesa de Literatura Comparada – Olhares cruzados: representa\u00e7\u00f5es das epidemias nas artes. Da cat\u00e1strofe \u00e0 resili\u00eancia<\/em>, \u00c9vora, Portugal.<\/p>\n\n\n\n

[2022] <\/strong>Veiga, P.A. (2022). The Cinematic Selfie: Questioning the Self through Generative Art. In Proceedings of Avanca Cinema – International Conference 2022<\/em>, Avanca, Portugal. https:\/\/publication.avanca.org\/index.php\/avancacinema\/article\/view\/439<\/a><\/p>\n\n\n\n

[2022] <\/strong>Travasso, R.; Veiga, P.A. & Gomes, J. (2022). New aspects regarding the instrumentalists’ performance. In Proceedings of the 9th International Conference on New Music Concepts<\/em>, Treviso, Italy.<\/p>\n\n\n\n

[2021] <\/strong>Veiga, Pedro Alves da. (2021). M\u00e9dia Arte locativa em realidade aumentada enquanto catalizador de la\u00e7os comunit\u00e1rios Peri-Urbanos e Inter-Geracionais\u201d. Revista H\u00famus<\/em>. V11, n\u00ba25: Brasil e Portugal leituras, experimenta\u00e7\u00f5es, pr\u00e1ticas comunit\u00e1rias e coes\u00e3o social e territorial. 11 25 (2021):http:\/\/www.periodicoseletronicos.ufma.br\/index.php\/revistahumus\/article\/view\/16535<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Veiga, P.A. (2021). M\u00e9todo e registo: uma proposta de utiliza\u00e7\u00e3o da a\/r\/cografia e dos di\u00e1rios digitais de bordo para a investiga\u00e7\u00e3o centrada em cria\u00e7\u00e3o e pr\u00e1tica art\u00edstica em m\u00e9dia-arte digital. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 2, pp. 16-24. https:\/\/doi.org\/10.34623\/y2yd-0x57<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Veiga, P.A. (2021). Realidade P\u00f3s-Fake: Uma Vis\u00e3o Atrav\u00e9s da Arte Digital. In Cristian Y\u00e1\u00f1ez Aguilar, \u00c9lmano Ricarte e Lawrenberg Advincula (eds.), Cen\u00e1rios Comunicacionais: Novos Di\u00e1logos. Porto: Media XXI.<\/p>\n\n\n\n

[2021] <\/strong>Veiga, P.A. (2021). The Everywhere Museum of Everything: The Curatorship Challenge, from Digital Urban Art to NFTs. In Helena Barranha and Joana Sim\u00f5es Henriques (eds.), Art, Museums and Digital Cultures \u2192 Rethinking Change. Lisboa: IHA, NOVA, FCSH & MAAT. ISBN: 978-989-54405-4-2, https:\/\/doi.org\/10.34619\/hwfg-s9yy<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Veiga, P.A. & S\u00e1, V. (eds.) (2021). International Journal of Creative Interfaces and Computer Graphics 12(1). IGI-Global.<\/p>\n\n\n\n

[2021] <\/strong>Veiga, P.A. & S\u00e1, V. (2021). Advances on Digital and Interactive Arts. International Journal of Creative Interfaces and Computer Graphics 12(1), IGI-Global, pp. i-iv.<\/p>\n\n\n\n

[2021] <\/strong>Bidarra, J., Alves da Veiga, P., & Carvalho, I. C. (2021). 4AP \u2013 Empreendedorismo na ind\u00fastria cultural e criativa. New DATA magazine, 05-09-2021.  ISSN 2184-9463<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A. (2020). \u201cA\/R\/COGRAFIA: A CRIATIVIDADE INVESTIGADA NA INVESTIGA\u00c7\u00c3O CRIATIVA\u201d. Investiga\u00e7\u00e3o-Experimenta\u00e7\u00e3o-Cria\u00e7\u00e3o: em Arte-Ci\u00eancia-Tecnologia<\/strong>, Publica\u00e7\u00f5es Universidade Fernando Pessoa. https:\/\/bdigital.ufp.pt\/handle\/10284\/8875<\/strong><\/a><\/p>\n\n\n\n

[2020]<\/strong> Veiga, P. A. (2020). Curating the Everywhere Museum of Everything. Digital Creativity, 31<\/em>(3), 171-180. https:\/\/doi.org\/10.1080\/14626268.2020.1782438<\/a> <\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A. (2020). O Museu de Tudo em Qualquer Parte. Arte e Cultura Digital: inter-ferir e curar<\/strong>. Cole\u00e7\u00e3o Humanitas, CIAC.<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A. (2020). \u201cA\/r\/cografia \u2013 A Criatividade Investigada na Investiga\u00e7\u00e3o Criativa\u201d. In Investiga\u00e7\u00e3o-Experimenta\u00e7\u00e3o-Cria\u00e7\u00e3o: em Arte-Ci\u00eancia-Tecnologi, Marques, D.; Gago, A. (Eds.) 51-74. Porto: Publica\u00e7\u00f5es Universidade Fernando Pessoa.<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A. (2020). \u201cHello, An Interactive Cinematic Generative Artwork\u201d. Paper presented in Eleventh International Conference on Computational Creativity, Coimbra.<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A. (2020). \u201cSpeciesism | Ageism | Racism\u201d. Paper presented in Avanca International Cinema Conference 2020, Avanca.<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A.; Tavares, M. (2020). \u201cThe End of Imperviousness\u201d. Preface to International Journal of Creative Interfaces and Computer Graphics, Special Issue on Advances in Digital Media-Art, edited by Veiga, Pedro Alves; Tavares, Mirian, v-viii. Hershey, PA, United States: IGI-Global.  https:\/\/www.igi-global.com\/journal\/international-journal-creative-interfaces-computer\/1161<\/strong><\/a>.<\/p>\n\n\n\n

[2020] <\/strong>Veiga, P. A.; Travasso, R. (2020). \u201cAuschwitz do P\u00f3s-Moderno: A\u00e7\u00e3o ou Absten\u00e7\u00e3o?\u201d. Paper presented in ARTeFACTo 2020, International Conference on Digital Creation in Arts and Communication, Faro.<\/p>\n\n\n\n

[2019] <\/strong>Arantes, P., S\u00e1, V., Veiga, P.A., Marcos, A.F. (Eds.) (2019). Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. ACM: Nova Iorque, Estados Unidos da Am\u00e9rica. ISBN: 978-1-4503-7250-3<\/p>\n\n\n\n

[2019] <\/strong>Veiga, P.A. (2019). A\/r\/cography \u2013 Art, Research and Communication. In Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. DOI: 10.1145\/3359852.3359859<\/p>\n\n\n\n

[2019] <\/strong>Marques, A.C & Veiga, P.A. (2019). Digital Artivism and Collaborative Artistic Practices \u2013 Introduction in the School Environment as a Citizenship Development Tool. In Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts, Braga, Portugal. DOI: 10.1145\/3359852.3359863<\/p>\n\n\n\n

[2019] <\/strong>Veiga, P.A. (2019). Digital Art in the Age of Blackboxing and Blurring. Arts In Society 2019, Fourteenth International Conference on The Arts in Society, Lisboa, Portugal.<\/p>\n\n\n\n

[2019] <\/strong>Veiga, P.A. (2019). Arte Qu\u00e2ntica. In INTERACT, Revista Online de Arte, Ci\u00eancia e Cultura, Centro de Estudos de Comunica\u00e7\u00e3o e Linguagens e CIC.Digital, P\u00f3lo FCSH, Lisboa, Portugal. Dispon\u00edvel em: http:\/\/interact.com.pt\/30-31\/arte-quantica\/<\/a><\/p>\n\n\n\n

[2019] <\/strong>Veiga, P.A. (2019). Principium: investiga\u00e7\u00e3o criativa versus criatividade investigada. 1\u00ba Semin\u00e1rio Universidade Fernando Pessoa em Investiga\u00e7\u00e3o Criativa, no cruzamento de Arte(s), Ci\u00eancia(s) e Tecnologia(s), Porto, Portugal.<\/p>\n\n\n\n

[2019] <\/strong>Dias, Jos\u00e9 Rodrigues; Penha, Rui; Morgado, Leonel; Alves da Veiga, Pedro; Carvalho, Elizabeth Sim\u00e3o; Fernandes-Marcos, Ad\u00e9rito (2019). Tele-Media-Art: Feasibility Tests of Web-Based Dance Education for the Blind Using Kinect and Sound Synthesis of Motion. International Journal of Technology and Human Interaction (IJTHI), 15(2). IGI-GLOBAL, pp. 11-28.<\/p>\n\n\n\n

[2018] <\/strong>Veiga, Pedro (2018). You&Me. Artech-Int. Editions: Lisbon. ISBN: 978-989-99370-8-6<\/p>\n\n\n\n

[2018] <\/strong>Veiga, Pedro (2018). You&Me (the infinite constellation of our senses). Proceedings of ARTeFACTo 2018, 1st International Conference of Transdisciplinary Studies in Arts, Technology and Society. Universidade Aberta, Lisboa.<\/p>\n\n\n\n

[2018] <\/strong>Veiga, Pedro; Ara\u00fajo, Ant\u00f3nio; Marcos, Ad\u00e9rito (Eds.) (2018). Proceedings of ARTeFACTo 2018, 1st International Conference of Transdisciplinary Studies in Arts, Technology and Society. Artech-Int. Editions: Lisbon. ISBN: 978-989-99370-7-9<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro (2017). Blended Reality: An analysis through the recent evolution of digital media art ecosystems. In Con la Red \/ En la Red: creaci\u00f3n, investigaci\u00f3n y comunicaci\u00f3n cultural y art\u00edstica en la era Internet, Lidia Bocanegra Barbecho (Medialab UGR), Ana Garc\u00eda L\u00f3pez (Eds.). Universidade de Granada, Downhill Publishing: New York, pp. 420-442.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro; Tavares, Mirian & Alvelos, Heitor (2017). Ecossistemas na blended-society: a experi\u00eancia da m\u00e9dia-arte digital. In CIBERCULTURA Circum-navega\u00e7\u00f5es em redes transculturais de conhecimento, arquivos e pensamento, Helena Pires, Manuel Curado, F\u00e1bio Ribeiro, Pedro Andrade (Coords.). Edi\u00e7\u00f5es H\u00famus: V. N. Famalic\u00e3o, pp: 115-132.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro (2017). Alchimia: A Non-Touch Interactive Artwork. International Journal of Creative Interfaces and Computer Graphics (IJCICG), 8(2). IGI-GLOBAL, pp. 13-22.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro (2017). Alchimia: an inexplicable or mysterious transmutation, a seemingly magical process of transformation, creation or combination. Proceedings of ARTECH International Conference 2017. Universidade de S\u00e3o Jos\u00e9, Macau, pp. 175-178.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro (2017). From Generative to Performing. Proceedings of xCoAx 2017 International Conference. FBAUL, Lisboa. pp. 193-203.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro; Tavares, Mirian & Alvelos, Heitor (2017). How experience, attention and ubiquity economies affect the role of digital media art and artists. Journal of Spatial and Organizational Dynamics V(3), pp. 222-238.<\/p>\n\n\n\n

[2017] <\/strong>Veiga, Pedro (2017). Generative Theatre of Totality. Journal of Science and Technology of the Arts, [S.l.], 9(3), p. 33-43.<\/p>\n\n\n\n

[2016] <\/strong>Veiga, Pedro (2016). Bridging the divide: e-society or ecosystem? An analysis through digital-media art. Proceedings of IADIS e-Society Conference 2016, Vilamoura.<\/p>\n\n\n\n

[2016] <\/strong>Veiga, Pedro (2016). Principium. ISBN: 978-136-67693-3-6.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n