{"id":4140,"date":"2024-01-30T16:49:56","date_gmt":"2024-01-30T16:49:56","guid":{"rendered":"https:\/\/ciac.pt\/?p=4140"},"modified":"2025-02-14T20:05:45","modified_gmt":"2025-02-14T20:05:45","slug":"mirian-estela-nogueira-tavares","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/mirian-estela-nogueira-tavares\/","title":{"rendered":"Mirian Estela Nogueira Tavares"},"content":{"rendered":"\n
\n
\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

Mirian Tavares<\/h2>\n\n\n\n
\n
\n

mtavares@ualg.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/5410-5E1F-7E7E<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0002-9622-6527<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n

Mirian Nogueira Tavares holds a PhD in Contemporary Communication and Culture from the Federal University of Bahia (Brazil).<\/p>\n\n\n\n

Currently, she is the coordinator of the Research Center for Arts and Communication (CIAC) and an Associate Professor at the Faculty of Human and Social Sciences at the University of the Algarve (UAlg), Faro, Portugal. She is also the Director of the Ph.D. program in Digital Media Art, taught in a partnership between the University of the Algarve and the Open University of Lisbon.

At an international level, she is the vice-president of the International Association for Computational Art – ARTECH-Int, which she coordinates with other important roles at a national level.

Mirian is a member of the curatorial team of the Portuguese Contemporary Art Network and Director of Rotura \u2013 Journal of Communication, Culture, and Arts.

She has been involved in more than 25 scientific projects, many of which she has played a general coordinating and\/or institutional coordinating role. Mirian has participated, by invitation, in more than 100 national and international conferences, and has published more than 60 articles in nationally and internationally recognized reference journals.

As a result of her intensive scientific activity, Mirian has published 17 books and 56 chapters in highly recognized publications in her field of study.

In total, more than 50 masters, doctorate, and post-doc students have defended their theses under her guidance.

Mirian Tavares participates regularly in the production of various cultural magazines, as well as texts and artistic catalogues. She has coordinated and conceptually developed an original web series designed to disseminate science (CIAC Talks and CIAC Talks Iniciative).<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

Her most recent fields of research are: Communication, Digital Media-Art, Cinema, Visual Arts, and Culture and the Arts.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

As suas \u00e1reas mais recorrentes de investiga\u00e7\u00e3o hoje s\u00e3o a Est\u00e9tica, a Media-Arte Digital, o Cinema, as Artes Visuais, os Processos de Cria\u00e7\u00e3o e a Literacia dos Media. Estes eixos e suas interrela\u00e7\u00f5es s\u00e3o fontes de interesse da investigadora constru\u00eddos ao longo de mais de 30 anos (de investiga\u00e7\u00e3o, doc\u00eancia e gest\u00e3o) dedicados ao espa\u00e7o do entre, das pontes e das conex\u00f5es entre artes, processos e media.<\/p>\n\n\n\n

Publica\u00e7\u00f5es mais recentes<\/h3>\n\n\n\n

[2024]<\/strong> Dravet, F., & Tavares, M. (2024). O mito de puer aeternus em The Midnight Gospel: sa\u00fade psicol\u00f3gica e medita\u00e7\u00e3o. Revista FAMECOS<\/em>, 31<\/em>(1), e43955. https:\/\/doi.org\/10.15448\/1980-3729.2024.1.43955<\/a><\/p>\n\n\n\n

[2024]<\/strong> Tavares, M. (2024). Po\u00e9ticas digitais. In M. Carvalhais, & L. Ribas (Orgs.), Arte, Digital, Academia, Museu Zer0<\/em> (pp. 57-65). Museu Zer0; I2ADS. https:\/\/doi.org\/10.34626\/2024\/978-989-9049-70-3<\/a><\/p>\n\n\n\n

[2023] <\/strong>Tavares, M. & Dourado, P. (2023, no prelo). Writing, Rewriting and Co-Creation: The Screenwriting Process of Anna Muylaert’s Film \u2018The Second Mother\u2019 Over 20 Years \u2013 In Search of a Different Ending for the Female Characters. In Welch, R. & Ferrel, R. Women Who Write Our World: Shaping Global Screen Culture.<\/em> Intellect Books. <\/p>\n\n\n\n

[2023] <\/strong>Tavares, M. & Dourado, P. (2023, no prelo). Comer o entorno, mastigar o artif\u00edcio: Relatos (implicados) sobre uma fic\u00e7\u00e3o viva. In Carrega, J. & Varoni, P. ALMA \u2013 Audiovisual, Literatura, Modernismo e Antropofagia.<\/em> Edi\u00e7\u00f5es CIAC.<\/p>\n\n\n\n

[2023]<\/strong> Tavares, M. (2023, no prelo). Alentejo, Alentejo. In F. Ros\u00e1rio & J. Duarte (Eds.). Natureza e cinema portugu\u00eas no S\u00e9culo XXI.<\/em> Sistema Solar.<\/p>\n\n\n\n

[2023]<\/strong> Tavares, M. (2023). O porvir do corpo na arte: entre a omnipresen\u00e7a e a fragmenta\u00e7\u00e3o. In Cavalcante J\u00fanior, F. S. (Org.). Porvires.<\/em> Editora CRV. <\/p>\n\n\n\n

[2023] <\/strong>Tavares, M., Dourado, P., Santos, A. C., Soares, A. I. & Salles, C. (2023). Forma\u00e7\u00e3o transversal na \u00e1rea dos Processos de Cria\u00e7\u00e3o: Pr\u00e1ticas educacionais entrela\u00e7adas na P\u00f3s-Gradua\u00e7\u00e3o em Processos de Cria\u00e7\u00e3o da Universidade do Algarve. Manuscr\u00edtica \u2013 Revista De Cr\u00edtica Gen\u00e9tica, 48,<\/em> 127-134. <\/p>\n\n\n\n

[2023]<\/strong> Tavares, M. & Wexel, J. (2023) Performing the city from the cyberspace. In K. Havik, D. Milian Bernal, C. Machado e Moura, E. Restrepo & L. Niculae (Eds.). Repository: 49 methods and assignments for writing urban places.<\/em> Nai 010 Publishers. <\/p>\n\n\n\n

[2023]<\/strong> Tavares, M., Costa, S., Bidarra, J. & Silva, B. (2023). IN[The Hate Booth]: A gamified installation to counteract hate speech. In Brooks, A. L. (Eds.) Interactivity and Game Creation: Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering<\/em>. Springer, Cham. <\/p>\n\n\n\n

[2023]<\/strong> Tavares, M., Costa, S., Bidarra, J. & Silva, B. (2023). The Enredo Game-Installation: A proposal to counter hate speech online. In N. Martins & D. Brand\u00e3o (Eds.) Advances in Design and Digital Communication III \u2013 DIGICOM 2022<\/em> [pp. 307-320]. Springer Series in Design and Innovation. Springer, Cham. <\/p>\n\n\n\n

[2023]<\/strong> Tavares, M. & Cassita, R. (2023). Pressupostos para uma experi\u00eancia cinem\u00e1tica expandida. Olhares \u2013 Revista de Estudos Sobre Pr\u00e1ticas de Recep\u00e7\u00e3o a Produtos Midi\u00e1ticos, 11<\/em>(2), 131-140. <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. Vidas secas: Do livro ao filme ou a genialidade de um realizador. In D. Ara\u00fajo, J. Carrega & I. Fechine. Perspectivas luso-brasileiras em artes e comunica\u00e7\u00e3o<\/em> (v. 3). Edi\u00e7\u00f5es CIAC\/CIC\/Universidade Estadual da Para\u00edba. <\/p>\n\n\n\n

[2022]<\/strong> Borges, G., Sigiliano, D. & Tavares, M. Cultura de f\u00e3s em Portugal: Estudos culturais no campo dos media. In M. M. Baptista, A. R. A. de Almeida & R. A. Gr\u00e1cio. (Org.). Estudos Culturais em Portugal: Cartografias, desafios e possibilidades (v. 1). Gr\u00e1cio Editor. <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M., Silva, B. & Costa, S. (2022). Trackling Online Hate Speech? In: W\u00f6lfel M., Bernhardt J. & Thiel S. (Eds.) Interactivity and Game Creation: Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering <\/em>(v. 422). Springer, Cham. <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. (2022). O esp\u00edrito do tempo ou o tempo dos esp\u00edritos: a obra solar de Hilma af Klint. In Cavalcante Junior, F. Tempo-sol.<\/em> CRV. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. (2021). Carta. In Cavalcante Jr., F. (Ed.) As palavras que voc\u00ea ainda n\u00e3o tem.<\/em> Editora CRV.<\/p>\n\n\n\n

[2022] <\/strong>Tavares, M. & Dourado, P. (2022). Escrever e reescrever: Pr\u00e1ticas de roteiro de Anna Muylaert em Que horas ela volta? Avanca Cinema Journal,<\/em> 853-864.  <\/p>\n\n\n\n

[2022] <\/strong>Tavares, M., Dourado, P., Silva, B., Carrega, J., Costa, S. & Valente, A. C. (2022). Cinema e Media Arte no CIAC. Avanca Cinema Journal,<\/em> 867-873.  <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. & Coca, A. P. (2022). Aruanas: A Agenda 2030 da ONU na pauta da fic\u00e7\u00e3o seriada em streaming. Revista Latinoamericana de Ciencias de la Comunicaci\u00f3n, 21<\/em>(40). <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. (2022). Da ru\u00edna como discurso: Apontamentos sobre cinematografias p\u00f3s-coloniais. Heritages of Portuguese Influence: Histories, spaces, texts, and objects,<\/em> PLCS 36-37 (Fall 2021\/Spring 2022). https:\/\/ojs.lib.umassd.edu\/index.php\/plcs\/article\/view\/PLCS36_37_Tavares_page257\/1365<\/a> <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. (2022). Literature and Cinema. In S. Quinteiro & M. J. Marques. Working Definitions in Literature and Tourism \u2013 A Research Guide.<\/em> Edi\u00e7\u00f5es CIAC. <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. & Martins, T. G. (2022). Literacia midi\u00e1tica e a fal\u00e1cia do acesso \u00e0 informa\u00e7\u00e3o: entrevista com Mirian Nogueira Tavares [Entrevista]. Interin \u2013 Revista do Programa de P\u00f3s-Gradua\u00e7\u00e3o em Comunica\u00e7\u00e3o e Linguagens,<\/em> 27(1). <\/p>\n\n\n\n

[2022]<\/strong> Tavares, M. & Silva, B. M. (2022). As artes ao servi\u00e7o do conhecimento e da sociedade [Entrevista]. P. A. Jornal Sol.<\/em><\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. (2021). Cartografias do espa\u00e7o: O cinema como lugar da mem\u00f3ria. Revista H\u00famus \u2013 Brasil e Portugal leituras, experimenta\u00e7\u00f5es, pr\u00e1ticas comunit\u00e1rias e coes\u00e3o social e territorial, 11<\/em>(25).<\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. (2021). Das po\u00e9ticas e da po\u00e9tica anal\u00f3gico\/digital de Jos\u00e9 Ma\u00e7\u00e3s de Carvalho. DAT Journal, 6<\/em>(44), 48-57. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. & Wexel, J. (2021). Des- instala\u00e7\u00e3o interativa ivagination e seus fluxos: Uma cria\u00e7\u00e3o autoginogr\u00e1fica em site- specific em tempos de distanciamento social planet\u00e1rio. Climacom<\/em>, 8(20). <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. & Godoy, M. J. (2021). La contribuci\u00f3n de la Historia del Arte en la construcci\u00f3n del espacio f\u00edlmico: The Contribution of Art History in the Construction of the Film Space. Rotura \u2013 Revista De Comunica\u00e7\u00e3o, Cultura E Artes, 1<\/em>(1), 47-54. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M., Cruz, T. & Paulino, F. (2021). Nature and culture in digital media landscapes. In S. Ata, G. Kurubacak- Meri\u00e7 & S. Sisman-Uur (Eds.). Present and future paradigms of cyberculture in the 21st Century<\/em> (pp. 35-54). IGI Global Publisher.<\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. (2021). Cinema e vanguardas: Entre o encantamento e o desencanto. In N. Ara\u00fajo (Coord.), Hist\u00f3ria do cinema: Dos prim\u00f3rdios ao cinema contempor\u00e2neo.<\/em> Edi\u00e7\u00f5es 70. Link<\/a> <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M. (2021). Literatura e cinema: Vi o livro, mas n\u00e3o li o filme. In Ara\u00fajo, M. L. S. Aneas, T. G. (Orgs.) An\u00e1lise f\u00edlmica e suas resson\u00e2ncias: Entre imagens da hist\u00f3ria, literatura e psican\u00e1lise.<\/em> Editora UFS. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M., Silva, B., Ara\u00fajo, A. & Costa, S. (2021). Forking Paths: Cadavre Exquis. In Silva, B. M. Carrega, J. (Eds.). The Forking Paths: Interactive film and media.<\/em> Edi\u00e7\u00f5es CIAC. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M., Cabe\u00e7a, S. M. Gon\u00e7alves, A. R & Marques, J. F. (2021). Valorizar o interior algarvio: Experi\u00eancias de turismo criativo da rede CREATOUR em territ\u00f3rios de baixa densidade. In J. Serra; N. Marujo; M. Borges et al. (Dir.) Turismo rural e turismo comunit\u00e1rio no espa\u00e7o iberoamericano. Cole\u00e7\u00e3o Estudos e Col\u00f3quios<\/em>. CIDEHUS. <\/p>\n\n\n\n

[2021]<\/strong> Tavares, M., Cabe\u00e7a, S. M., Gon\u00e7alves, A. R. & Marques, J. F. (2021) Gastronomic Creative Tourism: Experiences in the Algarve region of Portugal. In N. Duxbury, CP Carvalho & S. Albino (Eds.) Activating cultural resources and engaging creative travelers<\/em> (pp. 62- 67). CABI International. <\/p>\n\n\n\n

[2021] <\/strong>Tavares, M. & Dourado, P. (2021). Dimens\u00f5es do roteiro em tempo real: Ant\u00f4nio um dois tr\u00eas de Leonardo Mouramateus. Avanca Cinema Journal, <\/em>1132-1140.<\/p>\n\n\n\n

[2021] <\/strong>Tavares, M. & Dourado, P. (2021). O narrador contempor\u00e2neo no contexto das pr\u00e1ticas colaborativas de roteiro em Era o Hotel Cambridge de Eliane Caff\u00e9. In Gomes Pinto, J. M. & Sierra Sanchez, J. Ind\u00fastrias audiovisuais e criativas: Presente e futuro<\/em> (vol. 2, pp. 185-198). Mc Graw Hill.<\/p>\n\n\n\n

[2021] <\/strong>Tavares, M., Dourado, P. & Salles, C. (2021). Cria\u00e7\u00e3o e literacia nas pr\u00e1ticas de roteiro. Revista Geminis, 12<\/em>(1). Dossier Desafios, Tend\u00eancias, e Pesquisas: Roteiros Audiovisuais. Universidade Federal de S\u00e3o Carlos.  <\/p>\n\n\n\n

[2021] <\/strong>Tavares, M., Dourado, P. & Salles, C. (2021). Pr\u00e1ticas de roteiro: Conceitos revisitados. Avanca Cinema Journal,<\/em> 875-885.<\/p>\n\n\n\n

[2020]<\/strong> Tavares, M. (2020). In loco: Da serra ao litoral. In Duxbury, N., Silva, S. (Org.) CREATOUR: Catalisando o turismo criativo em cidades de pequena dimens\u00e3o e em \u00e1reas rurais<\/em> (pp. 368- 375). Coimbra University Press. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M. Cabe\u00e7a, S. M., Gon\u00e7alves, Alexandra R. et al. (2020). Creative tourism as an inductor of co-creation experiences: The Creatour Project in the Algarve. In P. Pinto & M. Guerreiro. (Eds.). Handbook of research on resident and tourist perspectives on travel destinations.<\/em> IGI Global.<\/p>\n\n\n\n

[2020] <\/strong>Tavares, M. (2020). Das exposi\u00e7\u00f5es e da complexa arte de expor-se: Reflex\u00f5es sobre alguns artistas portugueses e suas obras.<\/em> H\u00famus. <\/p>\n\n\n\n

[2020] <\/strong>Tavares, M., Gon\u00e7alves, A., Marques, J. F. & Cabe\u00e7a, S. M. (Eds.). (2020). Creative tourism dynamics: Connecting travellers, communities, cultures, and places. <\/em>Gr\u00e1cio Editor. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M. & Martins, T. G. (2020). Literacia medi\u00e1tica e publicidade. Tr\u00edade: Comunica\u00e7\u00e3o, Cultura e M\u00eddia, 8<\/em>(19), 192-220. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M., Costa, S. R., Silva, B., Alves, P. F., Cerol, F. & Isca, B. (2020). Playing against hate speech: How teens see hate speech in video games and online gaming communities. Journal of Digital Media & Interaction, 3<\/em>(6), 34-52. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M., Correia, B. & Silva, B. M. (2020). The Sopro Artefact: A quasi-medium. IJCICG \u2013 International Journal of Creative Interfaces and Computer Graphics, 11<\/em>(2), 1-15. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M., Oliveira J\u00fanior, M. S., Lacerda, J. S. & Tinoco, G. M. A. (2020). Looks on faces: An interactive experience. IJCICG \u2013 International Journal of Creative Interfaces and Computer Graphics, 11<\/em>(1), 18-35. <\/p>\n\n\n\n

[2020]<\/strong> Tavares, M., Boto, S. & Houguane, J. J. (2020). The use of media convergence in the preservation and dissemination of cultural assets: Case of Mozambicans Timbila. IJCICG \u2013 International Journal of Creative Interfaces and Computer Graphics, IGI Global, 11<\/em>(2), 16-26.<\/p>\n\n\n\n

[2019]<\/strong> Tavares, M. (2019). Wait: Arte num mundo em suspenso. In O. Franco, Wait <\/em>(Cat\u00e1logo de exposi\u00e7\u00e3o). Stolen Books | Museu Cole\u00e7\u00e3o Berardo. Link<\/a> <\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n