{"id":4167,"date":"2024-01-31T12:15:30","date_gmt":"2024-01-31T12:15:30","guid":{"rendered":"https:\/\/ciac.pt\/?p=4167"},"modified":"2024-01-31T12:15:32","modified_gmt":"2024-01-31T12:15:32","slug":"antonio-pedro-cabral-dos-santos","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/antonio-pedro-cabral-dos-santos\/","title":{"rendered":"Ant\u00f3nio Pedro Cabral dos Santos"},"content":{"rendered":"\n
\n
\n
<\/div><\/div>\n\n\n\n
<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

Pedro Cabral Santos<\/h2>\n\n\n\n
\n
\n

apcsantos@ualg.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/771F-23E2-7FC6<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n

Pedro Cabral Santo studied Painting and Sculpture at the Faculties of Fine Arts in Lisbon and Porto and has a degree in Fine Arts – Painting (1995) from the Faculty of Fine Arts in Lisbon. In 2006 he completed a Master’s Degree in Painting at the Faculty of Fine Arts in Lisbon and a PhD in Fine Arts – specializing in Image – also at the Faculty of Fine Arts in Lisbon (2011).<\/p>\n\n\n\n

He has taught on the Scenic Props Course at the Col\u00e9gio de Santa Clara\/IFP in Lisbon, where he was course director, at the Escola Superior de Arte e Design in Caldas da Rainha, where he was deputy coordinator of the Plastic Arts Course and also taught at the Faculdade de Belas-Artes in Lisbon, on the Art and Multimedia Course, under a protocol between ESAD\/CR and FBAUL. He joined the University of the Algarve, namely the Faculty of Human and Social Sciences, in 2008 to teach on the Visual Arts degree course. He has been an Assistant Professor at the institution since 2015. He is currently the director of the Visual Arts Course and the director of the CIAC Visual and Performing Arts Working Group.<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

In parallel, over the last 20 years, he has been working as a visual artist and exhibition curator, including the events Tilt (Calouste Gulbenkian Foundation, Lisbon), O Pedro e o Lobo (Museum of Neo-Realism, Vila Franca de Xira), Ill Communication (with Carlos Roque, Sala do Veado, Lisbon), X-Rated\/ Autores em Movimento (Galeria ZDB, Lisbon), O Imp\u00e9rio Contra-Ataca (co-curated, Galeria ZDB\/Institulo La Capella (MACBA), Lisbon and Barcelona),Espa\u00e7o 1999 (co-organizer, Museu de Hist\u00f3ria Natural, Lisbon), Fernando Brito 1983-2010 (Centro Cultural Vila Flor, Guimar\u00e3es) and Manuel Vieira – CASA (Cordoaria Nacional, Lisbon). In 2023, he co-organized with the Visual Arts Course, the exhibition, A Nuvem do N\u00e3o Saber, by Sara Navarro, A Nuvem do N\u00e3o Saber Galeria Trem, Faro, 2023, Manuel Batista, Territ\u00f3rios Invis\u00edveis, Fortaleza de Sagres\/DRCA, Sagres, 2023. Co-curated with Mirian Tavares. Also that year, the exhibition Xana, Paisagens, also co-curated with the Visual Arts Course, Galeria Trem, Faro, 2023.<\/p>\n\n\n\n

He exhibited Sem D\u00f3, com R\u00e9 (homage to S\u00e1 de Miranda) at the Museu do Chiado (2011), a work included in the commemorations of the S\u00e3o Vicente panels by Nuno Gon\u00e7alves, in partnership with the artist Lula Pena.<\/p>\n\n\n\n

In 2016, she held Dragon’s lair, at Ermida de Nossa Senhora de Bel\u00e9m and (E)motions, at Galeria Zarathan. In 2018, he held the anthological exhibition of thirty years of work entitled Endless, at the Vila Flor Cultural Center, Guimar\u00e3es.<\/p>\n\n\n\n

In 2022, he held the exhibition Synchronicity, Plataforma Rev\u00f3lver, Galeria VPF, Lisbon, 2022.<\/p>\n\n\n\n

In 2021 he produced the monument Metoposaurus algarvensis (Yabadabadoo), co-authored with the artist Nuno Esteves da Silva, Salir, Loul\u00e9,<\/p>\n\n\n\n

In 2022 he produced the Monument to the Student, co-authored with the artist Nuno Esteves da Silva, Faro, 2022.<\/p>\n\n\n\n

As a member of Pogo Teatro, he has taken part in various shows staged by the group, producing texts, creating scenery and also as a performer\/actor.<\/p>\n\n\n\n

He was also the founder of the artistic projects Autores em Movimento (Greenhouse\/Jetlag\/X-Rated) and featuring (Unlovable). On the musical front, he was a founding member of the musical project IK- co-authored with the artist Nuno Esteves da Silva.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2023] <\/strong>Cabral Santo, P.  (2023) \u201cO Mundo Invis\u00edvel de Manuel Baptista\u201d. In Tavares, M.; Cabral Santo, P. (eds.), Manuel Baptista: Territ\u00f3rios Invis\u00edveis.<\/em> Faro: Dire\u00e7\u00e3o Regional de Cultura do Algarve, 2023. ISBN 987-989-33-3992-3.<\/p>\n\n\n\n

[2023] <\/strong>Cabral Santo, P. (2023) \u201cA Caminho do Sol\u201d. In Ezequ\u00edel, C. Aurora. Elvas: Museu Militar de Elvas<\/em>. C\u00e2mara Municipal de Elvas. Dep\u00f3sito Legal 513311\/23.<\/p>\n\n\n\n

[2022]<\/strong> Cabral Santo, P.  (2022) \u201cAmbiente Retiniano: de Fra Angelico a \u00d8yvind Kol\u00e5s (parte 3)\u201d. ARTECAPITAL.net. https:\/\/www.artecapital.art\/perspetiva-255-pedro-cabral-santo-ambiente-retiniano-de-fra-angelico-a-%C3%B8yvind-kola-parte-3<\/strong><\/a>.<\/p>\n\n\n\n

[2022]<\/strong> Cabral Santo, P. (2022). A Arte do Insano: O Homem da Capa. Lisboa: Stolen Books (Ed. Lu\u00eds Alegre). ISBN 978-989-53333-7-0.<\/p>\n\n\n\n

[2021]<\/strong> Cabral Santo, P.  (2021) \u201cAmbiente Retiniano: de Fra Angelico a \u00d8yvind Kol\u00e5s (parte 2)\u201d. ARTECAPITAL.net.<\/em> http:\/\/www.artecapital.art\/perspetiva-254-pedro-cabral-santo-ambiente-retiniano-de-fra-angelico-a-%C3%B8yvind-kola-parte-2.<\/a><\/p>\n\n\n\n

[2021]<\/strong> Cabral Santo, P.  \u201cJo\u00e3o Fonte Santa, Santa Fonte!\u201d. ARTECAPITAL.net.<\/em>https:\/\/www.artecapital.art\/perspetiva-250-pedro-cabral-santo-joao-fonte-santa-santa-fonte-<\/a><\/p>\n\n\n\n

[2020]<\/strong> Cabral Santo, P.  (2020) \u201cJohnny, Johnny, Can You Sing a Song?\u201d. In Fonte Santa, J. (Ed.), Bem Vindos \u00e0 Cidade do Medo<\/em>. Lisboa: Stolen Books, 2020, pp. 39-63. ISBN 978-989-54857-1-0.<\/p>\n\n\n\n

[2020]<\/strong> Cabral Santo, P.  Esteves, N. (2020). \u201cApropria\u00e7\u00e3o e Cita\u00e7\u00e3o na Imagem Art\u00edstica. Parte 1: A Banaliza\u00e7\u00e3o da Pr\u00e1tica da Apropria\u00e7\u00e3o\u201d. ARTECAPITAL.net.<\/em> https:\/\/www.artecapital.art\/perspetiva-244-pedro-cabral-santo-e-nuno-esteves-da-silva-<\/a><\/p>\n\n\n\n

[2020]<\/strong> Cabral Santo, P.; Esteves, N. (2020). \u201cApropria\u00e7\u00e3o e Cita\u00e7\u00e3o na Imagem Art\u00edstica. Parte 2: Tr\u00eas Casos Hist\u00f3ricos\u201d. ARTECAPITAL.net<\/em>. https:\/\/www.artecapital.art\/perspetiva-248-pedro-cabral-santo-e-nuno-esteves-da-silva-apropriacao-e-citacao-na-imagem-artistica-_-parte-2<\/a><\/p>\n\n\n\n

[2019] <\/strong>Cabral Santo, P.  (2019) \u201cThe Sun on the Rocks\u201d. In Pousada, P.; OLAIO. Ant\u00f3nio; CARVALHO, Jos\u00e9 Ma\u00e7\u00e3s de (eds.), Na Sombra do Quadrado Negro. Coimbra: Col\u00e9gio das Artes \/ Universidade de Coimbra, 2019, pp. 39-51. ISBN 978\u2013989\u201354332\u20131\u20136.<\/p>\n\n\n\n

[2019] <\/strong>Cabral Santo, P.  Esteves, N. (2019) \u201cPor entre a Imagem Fixa e em Movimento: Imagens Espelhadas em Miguel Soares\u201d. Revista Multidisciplinar, <\/em>1: 1 (2019), pp. 103-118. https:\/\/doi.org\/10.23882\/MJ1907<\/a>.<\/p>\n\n\n\n

[2019] <\/strong>Esteves, N.; Cabral Santo, P. (2019) \u201cApropria\u00e7\u00e3o na Imagem Visual Art\u00edstica: Marcel Duchamp, Art & Language e Andy Warhol\u201d. In Rebelo, N.; Alegre, L. (eds.), A Arte de Furtar: Furto na Arte<\/em>. Lisboa: Stolen Books, pp. 278-304. ISBN 978-989-54589-7-4<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P.  (2018). Endless. Centro Cultural Vila Fl\u00f4r\/CIAC. Cat\u00e1logo de Exposi\u00e7\u00e3o. Guimar\u00e3es. ISBN 978-989-8474-48-3<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P. (2018). Entrada Anti-instituicionalismo e Alternativa Zero. In Franco, Jos\u00e9 Eduardo Franco (eds). Dicion\u00e1rio dos Antis.<\/em> Lisboa: Edi\u00e7\u00e3o Casa da Moeda.<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P. (2018). Sound Cl\u00edmax<\/em>. Lisboa: Stolen Books\/CIAC. ISBN: :978-989-99816-4-5.<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P. (2018).  \u201cJoseph Beuys: Who\u2019s Afraid of Fat, Felt and Dead Hares?\u201d. ART(e)FACT(o) \u2013 Revista Internacional de Estudos Transdisciplinares dos Artefactos, em Artes, Tecnologia e Sociedade<\/em>, 1(1). A. Fernandes-Marcos(dir.) ISSN: 2184-2086. Edi\u00e7\u00e3o Universidade Aberta, Lisboa.<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P. (2018). \u201cTomorrow Never Dies\u201d. Inland Journal<\/em>, 4 (2018), pp. 1-8. Lisboa: Funda\u00e7\u00e3o Calouste Gulbenkian.<\/p>\n\n\n\n

[2018] <\/strong>Cabral Santo, P. (2018). \u201cSem T\u00edtulo Provis\u00f3rio: Percep\u00e7\u00f5es, Irradia\u00e7\u00f5es e Projec\u00e7\u00f5es em Torno da Obra de Ana Rostron\u201d. In Rostron, A., Untitled<\/em>. Loul\u00e9: Centro de Experimenta\u00e7\u00e3o e Cria\u00e7\u00e3o Art\u00edstica de Loul\u00e9, 2018. ISBN 978-989-54196-6-1.<\/p>\n\n\n\n

[2017]<\/strong> Cabral Santo, P. (2017) The Power of Love. Lisboa: Stolen Books. ISBN 978-989-54857-5-8.<\/p>\n\n\n\n

[2017]<\/strong> Cabral Santo, P. (2017) Sound Climax. Lisboa: Stolen Books. ISBN 978-989-99816-4-5.<\/p>\n\n\n\n

[2017]<\/strong> Cabral Santo, P. (2017). \u201cImage\u201d. In Olaio, A., O Col\u00e9gio das Artes em Directo do Museu de Arte Antiga. <\/em>Coimbra: Col\u00e9gio das Artes da Universidade de Coimbra. ISBN 978-989-99717-8-3.<\/p>\n\n\n\n

[2016]<\/strong> Cabral Santo, P. (2016). Espa\u00e7o aberto, espa\u00e7o fechado na obra de Alexandre Estrela. In PERSPECTIVAS LUSO-BRASILEIRAS EM ARTES E COMUNICA\u00c7\u00c3O Vol. 1: Cinema e outras Artes.<\/em> IAC\/UEPB-Universidade Estadual da Para\u00edba\/UTP- Universidade Tuiuti do Paran\u00e1. ISBN: 978-989-20-6501-4.<\/p>\n\n\n\n

[2015]<\/strong> Cabral Santo, P., \u201cRefresh: da Imagem Retiniana aos Ambientes Mesot\u00f3picos de Edgar Massul.\u201d In M. Sales, J. Albio; B. Mendes da Silva (Eds.), Arte, Tecnologia e Po\u00e9ticas Contempor\u00e2neas.<\/em> Fortaleza: EdUECE, 2015, pp. 135-152. ISBN 978-85-7826-262-4.<\/p>\n\n\n\n

[2014]<\/strong> Cabral Santo, P. (2014).  Pogo Teatro \u2013 una Equipo Cr\u00f3nica. In Otero, R. (ed.), Pogo: Um Ajuste de Contas com o Futuro<\/em>. Lisboa: Edi\u00e7\u00e3o de Autor, 2014, pp. 245\u2013281. ISBN 978-989-20-5328.<\/p>\n\n\n\n

[2013]<\/strong> Cabral Santo, P. (2013). Politicamente soterrado. In Quintas de Cultura \u2013 A cria\u00e7\u00e3o cultural no Algarve<\/em>. Coordena\u00e7\u00e3o: D\u00e1lia Paulo, Lu\u00eds Filipe Oliveira, Mirian Tavares, Jo\u00e3o Pedro Bernardes e Rui Parreira. Faro.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n