{"id":4178,"date":"2024-01-31T14:14:55","date_gmt":"2024-01-31T14:14:55","guid":{"rendered":"https:\/\/ciac.pt\/?p=4178"},"modified":"2025-07-09T09:03:34","modified_gmt":"2025-07-09T08:03:34","slug":"ana-patricia-de-queiroz-carneiro-dourado","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/ana-patricia-de-queiroz-carneiro-dourado\/","title":{"rendered":"Ana Patr\u00edcia de Queiroz Carneiro Dourado"},"content":{"rendered":"\n
\n
\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

Patr\u00edcia Dourado<\/h2>\n\n\n\n
\n
\n

apdourado@ualg.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/D418-435D-555B<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0003-0418-7071<\/a><\/p>\n\n\n\n

https:\/\/processosdecriacao.ciac.pt\/autores\/patricia-dourado<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\n

Patr\u00edcia Dourado is a Researcher at CIAC\/UAlg and a Visiting Assistant Professor at the Faculty of Humanities and Social Sciences of the University of Algarve. Together with Cecilia Salles, she coordinates the Lato Sensu Postgraduate Course in Processes of Creation at PUC-SP. She carried out post-doctoral research in Arts: Processes of Creation at CIAC with an FCT grant. She holds a doctorate and a master’s degree in Communication and Semiotics from PUC-SP with Capes scholarships. She did a sandwich PhD at CIAC\/UAlg with a PDSE scholarship from Capes. She has a degree in Literature from the Federal University of Cear\u00e1, with an arts scholarship in Cinema from the Institute of Culture and Arts – ICA\/UFC. She is the author of the book \u201cRoteiros: Da cria\u00e7\u00e3o como experimenta\u00e7\u00e3o\u201d.<\/p>\n\n\n\n

She researches creative processes in general and filmmaking in particular. She tries to think of the script\/guide in contemporary cinema as a tool for experimentation, in the face of the cracks and limitations of the industrial system, in the diversity of practices and in the perspective of the continuity of creation in the spectator. She is looking for elements for a possible theory of the screenplay based on studies of the processes of creation, given the materialities of the various formats, versions and reading processes, and the creation that takes place throughout the film process and not just before filming.<\/p>\n\n\n\n

She is a scriptwriter with experience in fiction scripts, animated series, documentaries, institutional and digital education. She also has experience as an editor and proofreader of fiction and non-fiction books, magazines, teaching collections and academic collections. Over the last 20 years, she has worked mainly for audiovisual production companies, book publishers and education systems.<\/p>\n\n\n\n

As part of her research activities, she supports the development of the CIAC WG in Visual Arts and Processes of Creation and the international collaboration protocol with the Research Group in Processes of Creation at PUC-S\u00e3o Paulo. She is also the Researcher in Charge of CIAC’s Processes of Creation Collection, CIAC’s Processes of Creation International Conference and CIAC+PUC-SP’s Cycle of Processes of Creation. She is Section Editor of ROTURA – Revista de Comunica\u00e7\u00e3o, Cultura e Artes and Guest Assistant Professor of the Master’s Degree in Processes of Creation and the Degree in Visual Arts at the University of the Algarve.<\/p>\n\n\n\n

In recent years, she has published more than 30 indexed scientific articles and book chapters, and has participated in more than 50 congresses, conferences, workshops and juries in her field.<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

She has dedicated her scientific activity mainly to the area of Processes of Creation in a broad sense, as a field at the intersection of artistic and scientific thought, and to studies of practices especially in the Arts and Cinema – with a focus on contemporary experimentation with the cinematographic script. She is a member of CIAC’s Visual Arts and Creation Processes WG and a member of the Creation Processes Research Group at PUC-S\u00e3o Paulo. In recent years, she has sought to intensify collaborations between the two institutions.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2025] <\/strong>Dourado, P. & Tavares, M. (2025). The screenwriting process of Anna Muylaert\u2019s film The Second Mother over 20 years: In search of a different ending for the female characters. In Rose Ferrel & Rosanne Welch (Eds.). Shaping Global Cultures Through: Women Who Write Our Worlds.<\/em> Intellect. <\/strong>https:\/\/intellectdiscover.com\/content\/books\/9781835951590<\/strong><\/a><\/p>\n\n\n\n

[2025] <\/strong>Dourado, P. & Tavares, M. (2025). Comer o entorno, mastigar o artif\u00edcio: Relatos (implicados) sobre uma fic\u00e7\u00e3o viva. In Jorge Carrega, Pedro Varoni, Daniel Marinho Laks & Vanice Sargentini. (Eds.) ALMA \u2013 Audiovisual, Literatura, Modernismo e Antropofagia.<\/em> Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/s7n3-8d60<\/a> <\/p>\n\n\n\n

[2025]<\/strong> Dourado, P.; Tavares, M. & Mouramateus, L. (2025). Fragmentos: \u201cExiste um filme que carrego comigo\u201d \u2013 Entrevista ao cineasta Leonardo Mouramateus. In Jorge Carrega, Pedro Varoni, Daniel Marinho Laks & Vanice Sargentini. (Eds.) ALMA \u2013 Audiovisual, Literatura, Modernismo e Antropofagia<\/em>. Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/s7n3-8d60<\/a> <\/p>\n\n\n\n

[2024] Dourado, P. (2024). Roteiros: Da cria\u00e7\u00e3o como experimenta\u00e7\u00e3o.<\/em> Cole\u00e7\u00e3o Processos de Cria\u00e7\u00e3o [Livro 5]. Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/3vbk-z960<\/a> <\/p>\n\n\n\n

[2024] <\/strong>Dourado, P., Tavares, M., Salles, C., Soares, A. I.; Martinelli, P. & Miranda, W. (Eds.). (2025). Gorzillo, R. Performances: Ensaios sobre o espectador.<\/em> Cole\u00e7\u00e3o Processos de Cria\u00e7\u00e3o [Livro 4]. Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/yqy7-b070<\/a> <\/p>\n\n\n\n

[2024]<\/strong> Dourado, P.; Tavares, M.; Soares, M. & Mouramateus, L. (2024). A prop\u00f3sito da palestra de outro dia: Notas sobre um cozinheiro-ator e do cinema como arte impressionista \u2013 Entrevista ao cineasta Leonardo Mouramateus e ao ator Mauro Soares. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, 4<\/em>(2), 82-86. https:\/\/doi.org\/10.34623\/yf35-5917<\/strong><\/a> <\/p>\n\n\n\n

[2024] <\/strong>Dourado, P., Tavares, M., Cavalcante Jr., F., Costa, S. & Cerol, F. (2024). Proposi\u00e7\u00f5es para uma Fic\u00e7\u00e3o Viva (Pref\u00e1cio). Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, 4<\/em>(2), 9-15. https:\/\/doi.org\/10.34623\/A1RE-5N80<\/a><\/p>\n\n\n\n

[2024]<\/strong> Dourado, P., Tavares, M. & Cavalcante Jr., F. (Eds.) (2024). Dossier Fic\u00e7\u00e3o Viva. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 4<\/em>(2). https:\/\/publicacoes.ciac.pt\/index.php\/rotura\/issue\/view\/41<\/strong><\/a> <\/p>\n\n\n\n

[2024]<\/strong> Dourado, P. & Tavares, M. (2024). Creation processes as a literacy tool in facing the challenges of contemporary education. In Bruno Mendes da Silva & Ana Filipa Cerol. Interactive narratives propose pluralist speech: results of a project aimed at researching and countering online hate speech in video games.<\/em> Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/ggqf-0g28<\/strong><\/a> <\/p>\n\n\n\n

[2023] <\/strong>Dourado, P. & Miranda, W. (2023). Cecilia Salles: Da cr\u00edtica gen\u00e9tica \u00e0 cr\u00edtica de processos. (Pref\u00e1cio). Manuscr\u00edtica \u2013 Revista de Cr\u00edtica Gen\u00e9tica<\/em>, 51<\/em>, 1-8. https:\/\/doi.org\/10.11606\/issn.2596-2477.i51p1-8<\/strong><\/a> <\/strong><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P. & Miranda, W. (2023). (Eds.). Dossier Cecilia Salles: Da cr\u00edtica gen\u00e9tica \u00e0 cr\u00edtica de processos. Manuscr\u00edtica \u2013 Revista de Cr\u00edtica Gen\u00e9tica, 51. <\/em>https:\/\/revistas.usp.br\/manuscritica\/issue\/view\/13239<\/a> <\/p>\n\n\n\n

[2023] <\/strong>Dourado, P., Costa, S., Neves Carrega, J. M. & Cerol Martins, A. F. (2023). Cinemas do Mediterr\u00e2neo. (Pref\u00e1cio). Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 3<\/em>(2), 8-11. https:\/\/doi.org\/10.34623\/nw5y-8k28<\/strong><\/a> <\/strong><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P., Salles, C., Santos, A. B. dos, Silva, I. C., Paiva, F., Lemes, K. & Cheida, S. (2023). Pr\u00e1ticas educacionais e estudo dos processos de cria\u00e7\u00e3o no \u00e2mbito do Grupo de Pesquisa em Processos de Cria\u00e7\u00e3o da PUC-SP: Intera\u00e7\u00f5es poss\u00edveis. Manuscr\u00edtica \u2013 Revista de Cr\u00edtica Gen\u00e9tica, 48,<\/em> 6-21. https:\/\/doi.org\/10.11606\/issn.2596-2477.i48p6-21<\/strong><\/a><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P., Santos, A. C., Soares, A. I., Tavares, M. & Salles, C. (2023). Forma\u00e7\u00e3o transversal na \u00e1rea dos Processos de Cria\u00e7\u00e3o: Pr\u00e1ticas educacionais entrela\u00e7adas na P\u00f3s-Gradua\u00e7\u00e3o em Processos de Cria\u00e7\u00e3o da Universidade do Algarve. Manuscr\u00edtica \u2013 Revista de Cr\u00edtica Gen\u00e9tica, 48,<\/em> 127-134. https:\/\/doi.org\/10.11606\/issn.2596-2477.i48p127-134<\/strong><\/a><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P. (2022). O gesto de fazer do roteiro entre tradu\u00e7\u00e3o e experimenta\u00e7\u00e3o cont\u00ednua. In Carrega, J.; Fechine, I. Araujo, D. (Org.). Perspetivas luso-brasileiras em artes e comunica\u00e7\u00e3o \u2013 Volume<\/em> 3 [pp. 264-299]. Edi\u00e7\u00f5es CIAC. https:\/\/doi.org\/10.34623\/e5sf-bm30<\/strong><\/a><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P. & Tavares, M. (2022). Escrever e reescrever: Pr\u00e1ticas de roteiro de Anna Muylaert em Que horas ela volta? Avanca Cinema Journal,<\/em> 853-864. https:\/\/doi.org\/10.37390\/avancacinema.2022.a466<\/strong><\/a><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P.; Tavares, M.; Silva, B.; Carrega, J.; Costa, S. & Valente, A. C. (2022). Cinema e Media Arte no CIAC. Avanca Cinema Journal,<\/em> 867-873. https:\/\/doi.org\/10.37390\/avancacinema.2022.a467<\/strong><\/a><\/p>\n\n\n\n

[2023] <\/strong>Dourado, P., Carrega, J., Costa, S. & Cunha, P. (2022). Cinemas Silenciosos em Portugal. (Pref\u00e1cio). Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 2<\/em>(2), 6-8. https:\/\/doi.org\/10.34623\/gpnh-9e85<\/strong><\/a><\/p>\n\n\n\n

[2022] <\/strong>Dourado, P., Tavares, M., Salles, C., Soares, A. I.; Martinelli, P. & Miranda, W. (Eds.). (2022). Martinelli, P. Eust\u00e1quio Neves: Sujeito fotogr\u00e1fico. Cole\u00e7\u00e3o Processos de Cria\u00e7\u00e3o [Livro 1]. Edi\u00e7\u00f5es Ciac.  https:\/\/doi.org\/10.34623\/47g6-fr25<\/strong><\/a><\/p>\n\n\n\n

[2022] <\/strong>Dourado, P., Tavares, M., Salles, C., Soares, A. I.; Martinelli, P. & Miranda, W. (Eds.). (2022). Miranda, W. Roberto Alencar: O corpo em tr\u00e2nsito. <\/em>Cole\u00e7\u00e3o Processos de Cria\u00e7\u00e3o [Livro 2]. Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/8q7q-6076<\/strong><\/a><\/p>\n\n\n\n

[2022] <\/strong>Dourado, P., Tavares, M., Salles, C., Soares, A. I.; Martinelli, P. & Miranda, W. (Eds.). (2022). Gon\u00e7alves V. Anna Maria Maiolino: Projeto art\u00edstico em constru\u00e7\u00e3o. <\/em>Cole\u00e7\u00e3o Processos de Cria\u00e7\u00e3o [Livro 3]. Edi\u00e7\u00f5es Ciac. https:\/\/doi.org\/10.34623\/8w4m-8d79<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P., Salles, C., Meireles, J., Carlin, M., Pinheiro, P., Cheida, S. & Gon\u00e7alves, V. (2021). Queimar e postar: Materializar arquivos imateriais. Manuscr\u00edtica \u2013 Revista de Cr\u00edtica Gen\u00e9tica, 44, <\/em>6-16.Universidade de S\u00e3o Paulo. https:\/\/doi.org\/10.11606\/issn.2596-2477.i44p6-16<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P. & Tavares, M. (2021). Dimens\u00f5es do roteiro em tempo real: Ant\u00f4nio um dois tr\u00eas de Leonardo Mouramateus. Avanca Cinema Journal, <\/em>1132-1140. https:\/\/doi.org\/10.37390\/avancacinema.2021.a355<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P., Salles, C. & Tavares, M. (2021). Cria\u00e7\u00e3o e literacia nas pr\u00e1ticas de roteiro. Revista Geminis, 12<\/em>(1). Dossier Desafios, Tend\u00eancias, e Pesquisas: Roteiros Audiovisuais. Universidade Federal de S\u00e3o Carlos. https:\/\/doi.org\/10.53450\/2179-1465.RG.2021v12i1p157-172<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P. & Tavares, M. (2021). O narrador contempor\u00e2neo no contexto das pr\u00e1ticas colaborativas de roteiro em Era o Hotel Cambridge de Eliane Caff\u00e9. In Gomes Pinto, J. M. & Sierra Sanchez, J.  Ind\u00fastrias audiovisuais e criativas: Presente e futuro \u2013 Volume 2 [pp. 185-198]. Mc Graw Hill.<\/p>\n\n\n\n

[2021] <\/strong>Dourado, P., Salles, C., Carrega, J. & Costa, S. (2021). (Ed.). Dossier Processos de Cria\u00e7\u00e3o. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 1<\/em>(2). Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o, Universidade do Algarve. https:\/\/publicacoes.ciac.pt\/index.php\/rotura\/issue\/view\/2<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P., Salles, C., Carrega, J. & Costa, S. (2021). (Ed.). Dar a criar (Pref\u00e1cio). Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 1<\/em>(2). Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o, Universidade do Algarve. https:\/\/doi.org\/10.34623\/vkf4-ja68<\/strong><\/a><\/p>\n\n\n\n

[2021] <\/strong>Dourado, P. (2021). Da cria\u00e7\u00e3o como experimenta\u00e7\u00e3o cont\u00ednua: Pr\u00e1ticas de roteiro no cinema brasileiro contempor\u00e2neo. Tese. Doutoramento em Comunica\u00e7\u00e3o e Semi\u00f3tica. Orienta\u00e7\u00e3o: Cecilia Salles. Coorienta\u00e7\u00e3o: Mirian Tavares (Universidade do Algarve). Pontif\u00edcia Universidade Cat\u00f3lica de S\u00e3o Paulo. https:\/\/tede.pucsp.br\/handle\/handle\/24848<\/strong><\/a><\/p>\n\n\n\n

[2020] <\/strong>Dourado, P., Salles, C. & Tavares, M. (2020). Pr\u00e1ticas de roteiro: Conceitos revisitados. Avanca Cinema Journal,<\/em> 875-885. https:\/\/doi.org\/10.37390\/avancacinema.2020.a201<\/strong><\/a><\/p>\n\n\n\n

[2020] <\/strong>Dourado, P. & Tavares, M. (2020). O leitor criador nas pr\u00e1ticas de roteiro. In Arte em tempos de pandemia. Livro do Semin\u00e1rio Ibero-Americano sobre o Processo de Cria\u00e7\u00e3o nas Artes | Po\u00e9ticas da Cria\u00e7\u00e3o<\/em>, Universidade Federal do Esp\u00edrito Santo \u2013 UFES, Vit\u00f3ria. https:\/\/leena.ufes.br\/sites\/leena.ufes.br\/files\/field\/anexo\/integrall_em_baixa_poeticas_2020_anaisre_final_compressed_1.pdf<\/strong><\/a><\/p>\n\n\n\n

[2019]<\/strong> Dourado, P. \u201cExperimenta\u00e7\u00f5es do roteiro no cinema brasileiro contempor\u00e2neo\u201d. In Perspectivas luso-brasileiras em artes e comunica\u00e7\u00e3o, 7284. Faro, Portugal: CIAC, 2019.<\/p>\n\n\n\n

[2019] <\/strong>Dourado, P. (2019). O plano de voo e o voo: roteiro e experimenta\u00e7\u00e3o\u201d. In Confabula\u00e7\u00f5es imagin\u00e1rias, 3-14. S\u00e3o Paulo, Brasil: Universidade Presbiteriana Mackenzie.<\/p>\n\n\n\n

[2019] <\/strong>Dourado, P. (2019). Experimenta\u00e7\u00f5es do roteiro no cinema brasileiro contempor\u00e2neo. Perspectivas luso-brasileiras em artes e comunica\u00e7\u00e3o. V. 2. Edi\u00e7\u00f5es Ciac.<\/p>\n\n\n\n

[2018]<\/strong> Dourado, P. (2018). Os cl\u00edmaces nos roteiros de Sofia Coppola. Revista Nexi 4. https:\/\/revistas.pucsp.br\/nexi\/article\/view\/37284<\/strong><\/a><\/p>\n\n\n\n

[2018] <\/strong>Dourado, P. (2018). O plano de voo e o voo: roteiro e experimenta\u00e7\u00e3o. Revista Manuscr\u00edtica 34 (2018): <\/strong><\/a>https:\/\/doi.org\/10.11606\/issn.2596-2477.i34p161-170<\/strong><\/a><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n