{"id":4182,"date":"2024-01-31T14:19:20","date_gmt":"2024-01-31T14:19:20","guid":{"rendered":"https:\/\/ciac.pt\/?p=4182"},"modified":"2024-05-29T09:06:34","modified_gmt":"2024-05-29T08:06:34","slug":"ana-isabel-candeias-dias-soares","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/ana-isabel-candeias-dias-soares\/","title":{"rendered":"Ana Isabel Candeias Dias Soares"},"content":{"rendered":"\n
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Ana Isabel Soares<\/h2>\n\n\n\n
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asoares@ualg.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/D210-8245-81AB<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0003-2324-8319<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Ana Isabel Soares has a degree in Modern Languages and Literatures (Portuguese\/English) from the Faculty of Letters of the University of Lisbon (FLUL, 1993) and a PhD from the Literature Theory Program of the same Faculty (2003). In 2009, she completed post-doctoral research in this program on Portuguese cinema and poetry. She has taught at the University of Algarve, where she is an Assistant Professor, and has been a guest lecturer at Portuguese and foreign universities. She was part of the founding team of the Association of Moving Image Researchers, of which she was the first President (2010-2014). Between August 2011 and October 2012, she was Assistant to the Secretary of State for Primary and Secondary Education, where she took part in the launch of the National Film Plan. From January 2013 to December 2014, she was a Senior Technician at Cam\u00f5es – Institute for Cooperation and Language.<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

His scientific activity has been related to Literary Theory and to filmic, literary and multi-artistic works, as well as to the intersections between different artistic manifestations. Her essays have been published in Portuguese and Brazilian magazines. With Merja de Mattos-Parreira, she translated the Finnish epic Kalevala (ed. Dom Quixote, 2013). She writes regularly for the online magazines Algarve Informativo<\/em><\/a>, Almanaque<\/em><\/a>, Meridional<\/em><\/a> e Umbigo<\/em><\/a>.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2023]<\/strong> Soares, A. (2023). \u2019Our Families\u2019 by Marta Pinto: An audiovisual essay on \u2019A Portuguese Farewell\u2019 and \u2019Tokyo Story\u2019. Journal of Science and Technology of the Arts<\/em>, 15<\/em>(1), 82-85. https:\/\/doi.org\/10.34632\/jsta.2023.13301<\/a> <\/p>\n\n\n\n

[2023]<\/strong> Bidarra, J. (2023). Express\u00f5es e figura\u00e7\u00f5es em contexto: portugu\u00eas-ingl\u00eas [Em linha]. <\/em>Editado por Bidarra, J.; Childs, J. S. & Soares A. I. Lisboa: Universidade Aberta. (eUAb. Ci\u00eancia e Cultura; 25). ISBN: 978-972-674-949-3.<\/p>\n\n\n\n

[2023]<\/strong> Childs, J. S. & Soares, A. I. (2023). \u201cIntrodu\u00e7\u00e3o\u201d, in Bidarra, J., Childs, J. e Soares, A. I. (Eds.). Express\u00f5es e Figura\u00e7\u00f5es em Contexto: Portugu\u00eas-Ingl\u00eas.<\/em> Lisboa: Universidade Aberta. (eUAb. Ci\u00eancia e Cultura, 25). pp. 6-7. https:\/\/doi.org\/10.34627\/uab.cc.25<\/a>.<\/p>\n\n\n\n

[2023]<\/strong> Savarese, N. (2023). O Teatro Eurasi\u00e1tico. (Original em italiano; Soares, A. I. Trad.). Guimar\u00e3es: H\u00famus e Teatro Nacional de S\u00e3o Jo\u00e3o.<\/p>\n\n\n\n

[2023]<\/strong> Soares, A. I. (2023). \u201cJacquot de Nantes (1991) Agn\u00e8s Varda\u201d, in Ara\u00fajo, N. (coord.). Os 100 Melhores Planos do Cinema: 100 autores, 100 planos. <\/em>Lisboa: Edi\u00e7\u00f5es 70, pp. 27-30.<\/p>\n\n\n\n

[2023]<\/strong> Soares, A. I. (2023). [nota breve] in Figueiredo, J. R. e Tamen, M. (Eds.). A Admira\u00e7\u00e3o pela Admira\u00e7\u00e3o: Ensaios para Ant\u00f3nio M. Feij\u00f3<\/em>. Lisboa: Tinta da China, p. 350. ISBN: 9789896717551.<\/p>\n\n\n\n

[2023]<\/strong> Soares, A. I. (2023). \u201cAd astra per aspera \u2013 at\u00e9 ao sublime atrav\u00e9s do abjeto\u201d, pref\u00e1cio a Wojnarowic, D. Mem\u00f3rias com Cheiro a Gasolina. <\/em>Lisboa: Barco B\u00eabado, pp. 7-13. Dep\u00f3sito legal: 515928\/23.<\/p>\n\n\n\n

[2023]<\/strong> Soares, A. I. (2023). \u201cMargarida Gil: Quatro d\u00e9cadas de fic\u00e7\u00e3o para cinema\u201d in Liz, M. e Owen, H. (Eds.). Realizadoras Portuguesas: Cinema no feminino na era contempor\u00e2nea<\/em>. Lisboa: Imprensa de Ci\u00eancias Sociais. pp. 81-104. ISBN: 9789726717362.<\/p>\n\n\n\n

[2023]<\/strong> Pereira, A. C., Soares, A. I., Barroso, E. P., Nogueira, P. (2023). \u201cSpeculum \u2013 Descripci\u00f3n de un proyecto\u201d in Ram\u00e9, J., Cucinotta, C. (Coord.). Cine: Femenino del plural. Mujeres y pr\u00e1cticas creativas en el \u00e1mbito ib\u00e9rico.<\/em> Madrid: Editorial Sind\u00e9resis, pp. 159-186. ISBN: 9788410120044.<\/p>\n\n\n\n

[2023]<\/strong> Pereira, A. C., Cucinotta, C. e Soares, A. I. (2023). \u201cDeixa-me Ser Eu: A po\u00e9tica da desobedi\u00eancia materializada em corpos, rostos e objetos\u201d, in Mello, C. M., Neto, P. L. da C., Coqueiro, W. dos S. (Org.). Sociedade e Desenvolvimento: interfaces sociais, art\u00edsticas e culturais da condi\u00e7\u00e3o feminina na atualidade.<\/em> Campo Mour\u00e3o: Editora FECILCAM, pp. 114-128.<\/p>\n\n\n\n

[2023]<\/strong> Wojnarowic, D. (2023). Mem\u00f3rias com Cheiro a Gasolina.<\/em> (Original em ingl\u00eas; Soares, A. I., Trad.). Lisboa: Barco B\u00eabado.<\/p>\n\n\n\n

[2022]<\/strong> Soares, A. I. (2022). 88<\/em> de Edgar P\u00eara. In Monteiro, J. e Ros\u00e1rio, F. (Coord.). O Quarto Perdido do MoteLX \u2013 Os filmes do terror portugu\u00eas (1911-2006)<\/em>. Lisboa: CTLX \u2013 Cineclube de Terror de Lisboa, pp. 199-205.<\/p>\n\n\n\n

[2022]<\/strong> Soares, A. I. (2022). Dossi\u00ea Pedag\u00f3gico <\/strong><\/em>Apari\u00e7\u00e3o<\/strong> de Fernando Vendrell<\/strong><\/em><\/a>, Plano Nacional de Cinema.<\/p>\n\n\n\n

[2021]<\/strong> Cucinotta, C., Pereira, A. C., & Soares, A. I. (2021). Languidness of August (1984): Cesare Pavese\u2019s <\/strong>The Beach<\/strong><\/em> (1945) in Jorge Silva Melo<\/strong><\/a>. Fotocinema. Revista Cient\u00edfica De Cine Y Fotograf\u00eda<\/em>, 23, pp. 349-381.<\/p>\n\n\n\n

[2021]<\/strong> Editora H\u00famus. Pinto, J., Cardoso, T. & Soares, A. I. (2021). Da tela gigante ao pequeno ecr\u00e3 das redes sociais: o Plano Nacional de Cinema em tempos de COVID-19<\/strong><\/a>. In P. Silveira, R. Morais, J. Dias (Eds.) (2021). As Gera\u00e7\u00f5es dos Ecr\u00e3s: Pr\u00e1ticas e Experi\u00eancias Relacionadas com o Online<\/em>. Lisboa: IADE Press.<\/p>\n\n\n\n

[2021]<\/strong> Pinto J., Cardoso, T. & Soares A. I. (2021). Portuguese National Film Plan, Literacies and Social Networks: Mapping good practices during the COVID-19 confinement<\/strong><\/a>. In C. Dias; L. Cardoso; V. Correia & C. Santos (Coords.) Proceedings of International Congress on 21st Century Literacies (ICCL2021), Polytechnic Institute of Portalegre, Portugal, pp. 145-166.<\/p>\n\n\n\n

[2021]<\/strong> Pinto J., Cardoso, T. & Soares A. I. (2021) Plano Nacional de Cinema: uma ferramenta de promo\u00e7\u00e3o da literacia dos media na educa\u00e7\u00e3o de jovens<\/strong><\/a>. In Livro de Resumos do XXVIII Col\u00f3quio da AFIRSE Portugal \u2013 Association Francophone Internationale de Recherche Scientifique en Education, Instituto de Educa\u00e7\u00e3o da Universidade de Lisboa, pp. 197-198.<\/p>\n\n\n\n

[2021]<\/strong> Pinto, J., Cardoso, T., & Soares, A. I. (2021). Zoom Out \/ Zoom In \u00e0s Redes Sociais Digitais do Plano Nacional de Cinema: Um visionamento em tempos pand\u00e9micos<\/strong><\/a>. In O Contempor\u00e2neo visto pelo Ecr\u00e3: Pol\u00edticas, Culturas, Mem\u00f3rias e Identidades, Revista Ci\u00eancias Humanas, 14(2). UNITAU, Taubat\u00e9\/SP \u2013 Brasil.<\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021). Bairros Alegres<\/strong><\/em><\/a> (curta-metragem).<\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021).\u00a0Dom Roberto<\/strong><\/em>, Filme-Manifesto<\/strong>?.\u00a0Revista Arte e Cultura Visual<\/em>, 0(2), pp.37-52. http:\/\/hdl.handle.net\/10451\/50404<\/a><\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021) Dossi\u00ea Pedag\u00f3gico \u2013 <\/strong><\/em>Os Maias<\/strong> de Jo\u00e3o Botelho<\/strong><\/em><\/a>. Lisboa, Portugal: Plano Nacional de Cinema.<\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021). Lisbon Revisited<\/em> \u2013 Edgar P\u00eara. In Preces para Afugentar Tempestades, Insectos Malignos, etc.<\/em>. Faro: Artadentro, pp. 91-111.<\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021). Margarida Gil: Quatro d\u00e9cadas de audiovisual<\/em>. Vila Nova de Famalic\u00e3o: H\u00famus \u2013 12catorzebold.<\/p>\n\n\n\n

[2021]<\/strong> Soares, A. I. (2021). Sobrepondo cidades<\/strong><\/a>. Revista H\u00famus<\/em> 11 25, pp. 105-118.<\/p>\n\n\n\n

[2020]<\/strong> Pinto J.; Cardoso, T. & Soares, A. I. (2020) Plano Nacional de Cinema: uma ferramenta para promover a Literacia medi\u00e1tica e a inclus\u00e3o digital?<\/strong><\/a> In Revista Investigar em Educa\u00e7\u00e3o \u2013 Liberdade, Equidade e Emancipa\u00e7\u00e3o I<\/em>, n. 11-12, 2\u00aa s\u00e9rie. Sociedade Portuguesa de Ci\u00eancias da Educa\u00e7\u00e3o (SPCE), pp. 95-109.<\/p>\n\n\n\n

[2020] <\/strong>Soares, A. I. (2020). Four decades on screen: The fiction films of Margarida Gil. In Women\u2019s Cinema in Contemporary Portugal<\/em>, ed. Liz, Mariana; Owen, Hilary. London: Bloomsbury Academic, pp. 43-62.<\/p>\n\n\n\n

[2020] <\/strong>Soares, A. I. (2020). Isolamento: Cinco tablettes<\/strong><\/a>. Arte e Cultura Visual: Revista do Centro de Investiga\u00e7\u00e3o e de Estudos da Faculdade de Belas-Artes de Lisboa 1, pp. 103-110.<\/p>\n\n\n\n

[2020] <\/strong>Soares, A. I. (2020). Notas sobre um curr\u00edculo. In Imita\u00e7\u00f5es da Vida: Cinema Cl\u00e1ssico Americano<\/em>, ed. Rowland, Clara; Guerreiro, Fernando; B\u00e9rtolo, Jos\u00e9. RIAL \u2013 Realidade e Imagina\u00e7\u00e3o nas Artes e na Literatura, Centro de Estudos Comparatistas da Faculdade de Letras da Universidade de Lisboa, pp. 415-428.<\/p>\n\n\n\n

[2020] <\/strong>Soares, A. I. (2020). O Apelo do Caos: Pier Paolo Pasolini, Ant\u00f3nio Reis, poesia e cinema. In Procesos intermediales. Cine, literatura, espacio<\/em>, edited by Paulo Cunha; Filipa Ros\u00e1rio; Fernando Gonz\u00e1lez Garc\u00eda, pp. 69-94. Grupo Editorial Sial Pigmali\u00f3n \u2013 LITECOM.<\/p>\n\n\n\n

[2020] <\/strong>Soares, A. I. (2020). Poesia Portuguesa Contempor\u00e2nea \u2013 Notas sobre os primeiros quinze anos do s\u00e9culo XXI<\/em>. Vila Nova de Famalic\u00e3o: H\u00famus \u2013 12catorzebold.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n