{"id":4265,"date":"2024-02-02T07:34:56","date_gmt":"2024-02-02T07:34:56","guid":{"rendered":"https:\/\/ciac.pt\/?p=4265"},"modified":"2024-03-18T12:38:35","modified_gmt":"2024-03-18T12:38:35","slug":"jose-bogalheiro","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/members\/jose-bogalheiro\/","title":{"rendered":"Jos\u00e9 Bogalheiro"},"content":{"rendered":"\n
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Jos\u00e9 Bogalheiro<\/h2>\n\n\n\n
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 jbogalheiro@estc.ipl.pt<\/a><\/p>\n\n\n\n

https:\/\/www.cienciavitae.pt\/8617-624F-A788<\/a><\/p>\n\n\n\n

https:\/\/orcid.org\/0000-0001-5805-9310<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Jos\u00e9 Bogalheiro is an integrated researcher at CIAC – Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o. He is a retired coordinating professor of the Film Department at ESTC – Escola Superior de Teatro e Cinema, an institution where, between 1981 and 2020, he also held management positions, namely as a member of the Installation Committee and as director of the Film Department.<\/p>\n\n\n\n

He studied Journalism at the Faculty of Philosophy of the Universit\u00e9 Libre de Bruxelles (ULB). He graduated in Psychology from the Instituto Superior de Psicologia Aplicada (ISPA). He studied Cinema at the National Conservatory Film School. He has a PhD in Psychology, specializing in Psychoanalysis, from the Instituto Universit\u00e1rio de Ci\u00eancias Psicol\u00f3gicas, Sociais e da Vida (ISPA-IU).<\/p>\n\n\n\n

Following his training in cinema and a first professional experience in the TV\/Cinema Team of the Secretary of State for Emigration (1977-78), he worked in the film industry in various roles, particularly as a producer at Tr\u00f3pico Filmes (1985-1995).<\/p>\n\n\n\n

At ESTC, he taught courses in the BA in Cinema (“Aesthetics” and “Psychology and Cinema”), the MA in Film Project Development (“Independent Production and Markets”) and the PhD in Arts – Performing Arts and the Moving Image (“Image”).<\/p>\n\n\n\n

Research Interests<\/h3>\n\n\n\n

As a recipient of a grant from the Italian government, he carried out research at the Centro Sperimentale di Cinematografia in Rome (1979-81) on “Point of view in cinema and cinematic neorealism”. He then made the question posed by contemporary filmmaking reverberate throughout his teaching and research activities, asking whether “there is modern cinema that hasn’t made its journey to Italy? “, focusing in his doctoral thesis on the filmic experience as a paradoxical experience of the spectator and, in his most recent writings, on cinema as a metamorphosis of inner experience.<\/p>\n\n\n\n

Latest Publications<\/h3>\n\n\n\n

[2024] <\/strong>Nat\u00e1lio, C., & Bogalheiro, J. (2024). “A Atividade Reflexiva \u00c9 Uma Forma de Procurar Dar Um Nome Pr\u00f3prio \u00e0s Coisas que Intu\u00edmos: Uma entrevista a Jos\u00e9 Bogalheiro”. Aniki: Revista Portuguesa da Imagem em Movimento, 11<\/em>(1), 224-242. http:\/\/dx.doi.org\/10.14591\/aniki.v11n1.1027<\/a>.<\/p>\n\n\n\n

[2023]<\/strong> Bogalheiro, J. (2023, Fevereiro, 22-24). Imagens fulgurantes – De Virginia Woolf a Pier Paolo Pasolini: Para acabar com o parasitismo no cinema<\/em>. Encontro internacional “O Cinema e as Outras Artes”, Covilh\u00e3, Portugal.<\/p>\n\n\n\n

[2023]<\/strong> Bogalheiro, J. (2023) “A Aventura\/L’Avventura (1963), Michelangelo Antonioni: Desaparecimento, Esquecimento, Elipse”. In N. Ara\u00fajo (Ed.), Os 100 melhores planos do cinema: 100 autores, 100 planos<\/em> (pp. 213-217). Edi\u00e7\u00f5es 70.<\/p>\n\n\n\n

[2023]<\/strong> Bogalheiro, J. (2023). Do \u00e1lbum que me coube em sorte: O cinema como metamorfose da experi\u00eancia interior<\/em>. Documenta.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). A mulher do quadro que a chuva apagou. \u00c0 Pala de Walsh<\/em>, 17 de abril de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/04\/a-mulher-do-quadro-que-a-chuva-apagou\/<\/strong><\/a>.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). As mulheres do doce tempo. \u00c0 Pala de Walsh,<\/em> sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/01\/as-mulheres-do-doce-tempo\/<\/strong><\/a>.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). As mulheres que n\u00e3o veremos duas vezes. \u00c0 Pala de Walsh<\/em>, 20 de fevereiro de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/02\/as-mulheres-que-nao-veremos-duas-vezes\/<\/strong><\/a>.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). Desenho a lume, se me perguntam. \u00c0 Pala de Walsh<\/em>, 17 de julho de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/07\/desenho-a-lume-se-me-perguntam\/<\/strong><\/a><\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). Estando o tempo do amor contado. \u00c0 Pala de Walsh<\/em>, 20 de mar\u00e7o de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/03\/estando-o-tempo-do-amor-contado\/<\/strong><\/a>.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). Respigar at\u00e9 ao fim da ceifa. \u00c0 Pala de Walsh<\/em>, 16 de maio de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/05\/respigar-ate-ao-fim-da-ceifa\/<\/strong><\/a>.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). Se confinado um espectador: O cinema como metamorfose da experi\u00eancia interior<\/em>. Documenta.<\/p>\n\n\n\n

[2022]<\/strong> Bogalheiro, J. (2022). Se confinado um espectador: O cinema como metamorfose da experi\u00eancia interior<\/em>. Documenta.<\/p>\n\n\n\n

[2022] <\/strong>Bogalheiro, J. (2022). Tudo vertiginosamente se eleva. \u00c0 Pala de Walsh<\/em>, 19 de junho de 2022, sec. Cr\u00f3nicas, do \u00c1lbum que me Coube em Sorte. https:\/\/apaladewalsh.com\/2022\/06\/tudo-vertiginosamente-se-eleva\/<\/strong><\/a>.<\/p>\n\n\n\n

[2020]<\/strong> Bogalheiro, J. (2020). “Uma Torrente Chamada Vida”. In Descasco as imagens e entrego-as na boca – Li\u00e7\u00f5es Ant\u00f3nio Reis<\/em> (pp. 133-167). Documenta.<\/p>\n\n\n\n

[2020] <\/strong>Bogalheiro, J., Molder, M. F., J\u00fadice, N.; Guerra, M., & Ribeiro, F. (2020). Descasco as imagens e entrego-as na boca – Li\u00e7\u00f5es Ant\u00f3nio Reis<\/em>. Documenta.<\/p>\n\n\n\n

[2014] <\/strong>Bogalheiro, J. (2014). Empatia e alteridade: A figura\u00e7\u00e3o cinematogr\u00e1fica como jogo<\/em><\/strong>.<\/strong> Sistema Solar\/Documenta.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n