{"id":4269,"date":"2024-02-02T07:39:04","date_gmt":"2024-02-02T07:39:04","guid":{"rendered":"https:\/\/ciac.pt\/?p=4269"},"modified":"2024-11-13T17:18:02","modified_gmt":"2024-11-13T17:18:02","slug":"jorge-manuel-neves-carrega","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/membros\/jorge-manuel-neves-carrega\/","title":{"rendered":"Jorge Manuel Neves Carrega"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-advgb-columns advgb-columns-wrapper\" id=\"advgb-cols-6f9ea46d-b525-4ac0-b9fd-4f4dbf9976d0\"><div class=\"advgb-columns-container\"><div class=\"advgb-columns advgb-columns-row advgb-is-mobile advgb-columns-2 layout-23-13 mbl-layout-stacked vgutter-10\">\n<div class=\"wp-block-advgb-column advgb-column\" id=\"advgb-col-2a6fe3b6-7ea5-47a2-863b-a3855f7fb161\"><div class=\"advgb-column-inner\" style=\"border-style:none;border-width:1px\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" width=\"1024\" height=\"768\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega-1024x768.jpg\" alt=\"\" class=\"wp-image-4034 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega-1536x1152.jpg 1536w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/01\/jorge-carrega.jpg 1620w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/768;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-column advgb-column\" id=\"advgb-col-09d5c335-91d7-4fbf-86e9-eec7f820a5d2\"><div class=\"advgb-column-inner\" style=\"border-style:none;border-width:1px\"><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Jorge Carrega<\/h2>\n\n\n\n<div class=\"wp-block-advgb-columns advgb-columns-wrapper\" id=\"advgb-cols-548ed8c3-8aa5-4cd7-8564-5f6c4a60e051\"><div class=\"advgb-columns-container\"><div class=\"advgb-columns advgb-columns-row advgb-is-mobile advgb-columns-2 layout-13-23 mbl-layout-stacked gutter-30 vgutter-10\">\n<div class=\"wp-block-advgb-column advgb-column\" id=\"advgb-col-37edb968-34c0-4f2b-959f-5c94794baf02\"><div class=\"advgb-column-inner\" style=\"border-style:none;border-width:1px\">\n<p><a href=\"mailto:jmcarrega@ualg.pt\">jmcarrega@ualg.pt<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.cienciavitae.pt\/1C18-48AC-ECE7\">https:\/\/www.cienciavitae.pt\/1C18-48AC-ECE7<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/orcid.org\/0000-0002-0797-8891\">https:\/\/orcid.org\/0000-0002-0797-8891<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-column advgb-column\" id=\"advgb-col-d53fcc42-a2f6-4067-9f47-43a57b85e48a\"><div class=\"advgb-column-inner\" style=\"border-style:none;border-width:1px\">\n<p>Jorge Manuel Neves Carrega is a postdoctoral fellow within the scope of the project &#8220;1950-1974: Popular Genres and Transnational Cinema in Mediterranean Europe&#8221; (UAlg, 2018), holds a PhD in Communication, Culture and Arts from the University of Algarve (2014) and a Master&#8217;s degree in Literature (UAlg, 2009).<\/p>\n\n\n\n<p>He was awarded an FCT doctoral scholarship and, since 2012, has been teaching curricular units related to Cinema and the Arts at UAlg. He currently coordinates the CIAC Film Studies Working Group and organizes the Mediterranean Cinemas Colloquium.<\/p>\n\n\n\n<p>He is the author of seven books, including &#8220;Popular Genres and Transnational Cinema in Mediterranean Europe&#8221; (2023) and &#8220;A Brief History of Culture in Faro&#8221; (2018). He has published four dozen articles and book chapters in various scientific publications.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Research Interests<\/h3>\n\n\n\n<p>For the last decade he has been researching the mannerist currents that emerged within the so-called classical Hollywood cinema and the co-production of popular genres in Mediterranean Europe. He is currently researching the history of film exhibition in the Algarve during the first decades of the 20th century.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Latest Publications<\/h3>\n\n\n\n<p><strong>[2024]<\/strong> Martins, A., Carrega, J., d\u2019Orey, R., &amp; Silva, B. M. (2024). From Print to Pixels: Prototyping a Virtual Exhibition for the Faro Museum Poster Collection. In N. Martins, &amp; D. Brand\u00e3o (Eds.), <em>Advances in Design and Digital Communication IV. Proceedings of the 7th International Conference on Design and Digital Communication, Digicom 2023<\/em> (pp. 79\u201393). Springer. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-47281-7_7\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1007\/978-3-031-47281-7_7<\/a><\/p>\n\n\n\n<p><strong>[2024]<\/strong> Carrega, J., &amp; Morais, A. B. (2024). Romy Schneider em Portugal: Cinema transnacional e censura no per\u00edodo Marcelista (1968-1974). <em>Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes, 4<\/em>(2), 126-137. <a href=\"https:\/\/doi.org\/10.34623\/jdn2-f603\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.34623\/jdn2-f603<\/a><\/p>\n\n\n\n<p>Carrega, J. (2024). O Espet\u00e1culo da cat\u00e1strofe: o \u201cfim do mundo\u201d no cinema de Hollywood da Guerra Fria ao s\u00e9c. XXI. <em>RELICI \u2013 Revista Livre de Cinema, 11<\/em>(3), 102-111. <a href=\"https:\/\/www.relici.org.br\/index.php\/relici\/article\/view\/758\" rel=\"noreferrer noopener\" target=\"_blank\">https:\/\/www.relici.org.br\/index.php\/relici\/article\/view\/758<\/a><\/p>\n\n\n\n<p><strong>[2024]<\/strong> Carrega, J. (2024). Espa\u00e7os de exibi\u00e7\u00e3o cinematogr\u00e1fica em Faro no s\u00e9c. XX. <em>Anais do Munic\u00edpio de Faro <\/em>(Vol. XLVI, pp. 1-19).<\/p>\n\n\n\n<p><strong>[2024]<\/strong> Carrega, J. (2024). &nbsp;O cinema italiano das origens em Portugal: o caso da cole\u00e7\u00e3o de cartazes do Museu de Faro. <em>AVANCA Cinema Journal, 15<\/em>. <a href=\"https:\/\/doi.org\/10.37390\/avancacinema.2024.a577\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.37390\/avancacinema.2024.a577<\/a><\/p>\n\n\n\n<p><strong>[2023]<\/strong> Costa, S., Carrega, J. M. N., Cerol Martins, A. F., &amp; Dourado, P. (2023). Cinemas do Mediterr\u00e2neo.&nbsp;<em>Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>,&nbsp;<em>3<\/em>(2), 8-11. <a href=\"https:\/\/doi.org\/10.34623\/nw5y-8k28\">https:\/\/doi.org\/10.34623\/nw5y-8k28<\/a><\/p>\n\n\n\n<p><strong>[2023]<\/strong> Carrega, J. (2023). Le Cinema Fran\u00e7ais au Portugal: Des Pr\u00e9miers s\u00e9ances de l\u2019animatograph \u00e0 la fin de la premi\u00e8re Guerre Mondiale (1896-1918). In D. Araujo &amp; C. Lambach (Orgs.), <em>French Cinema\/Cin\u00e9ma Fran\u00e7ais<\/em> (pp. 53-61).&nbsp;IAMCR VIC \u2013 Visual Culture Working Group. Apris. E-book. ISBN: 9786525045399.<\/p>\n\n\n\n<p><strong>[2023]<\/strong> Carrega, J. (2023). G\u00e9neros Populares e Cinema Transnacional na Europa Mediterr\u00e2nea. Edi\u00e7\u00f5es CIAC. ISBN: 978-989-9127-22-7.<\/p>\n\n\n\n<p><strong>[2023]<\/strong> Carrega, J. (2023). O Peplum e o cinema popular da Europa mediterr\u00e2nea. <em>RELICI-Revista Livre de Cinema<\/em>, 10(2).<\/p>\n\n\n\n<p><strong>[2023]<\/strong>&nbsp;Carrega, J. M. (2023). 1898-1919: os primeiros anos do cinema no sotavento algarvio. <em>Rotura \u2013 Revista De Comunica\u00e7\u00e3o, Cultura E Artes<\/em>, n\u00famero:&nbsp;VI Congresso Internacional Alfamed. Redes Sociales y Ciudadania: Ciberculturas para el aprendizagem,&nbsp;78-93.&nbsp;<a href=\"https:\/\/doi.org\/10.34623\/na3b-cy92\" rel=\"noreferrer noopener\" target=\"_blank\">https:\/\/doi.org\/10.34623\/na3b-cy92<\/a><\/p>\n\n\n\n<p><strong>[2023]<\/strong> Carrega, J. (org.). (2023). Elvis em Hollywood: o filme musical e a cultura de massas do s\u00e9culo XX. <em>In Elvis Presley e a cultura popular do s\u00e9culo XX<\/em> (pp. 93-117). Edi\u00e7\u00f5es CIAC. E-book.<\/p>\n\n\n\n<p><strong>[2023]<\/strong> d&#8217;Orey, R., Martins, A., Carrega, J., &amp; Silva B. M. (2023).&nbsp;Dematerializing materials: description of the first stages to digitize a museum exhibition with 3D technologies. In<em> Proceedings of the 20th International Conference on Culture and Computer Science: Code and Materiality<\/em> (KUI &#8217;23) (pp. 1\u20138).&nbsp;Association for Computing Machinery.<a href=\"https:\/\/doi.org\/10.1145\/3623462.3623466\" rel=\"noreferrer noopener\" target=\"_blank\"> https:\/\/doi.org\/10.1145\/3623462.3623466<\/a><\/p>\n\n\n\n<p><strong>[2021]<\/strong>&nbsp;Carrega, J. (2021).&nbsp;Hollywood y los formatos de pantalla ancha en el ocaso del cine cl\u00e1sico. \u00c1mbitos: <em>Revista de estudios de ciencias sociales y humanidades<\/em>, n\u00fam. 46, pp. 59-67.&nbsp;I.S.S.N.: 1575-2100.<\/p>\n\n\n\n<p><strong>[2021]<\/strong>&nbsp;Dourado, P.; Salles, C.; Carrega, J.; Costa, S. (2021). Dar a criar. Pref\u00e1cio<em>. Rotura \u2013 Revista de Comunica\u00e7\u00e3o, Cultura e Artes<\/em>, (2), pp. 7-8. Edi\u00e7\u00f5es CIAC <a href=\"https:\/\/doi.org\/10.34623\/vkf4-ja68\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>https:\/\/doi.org\/10.34623\/vkf4-ja68<\/strong><\/a><\/p>\n\n\n\n<p><strong>[2020]<\/strong>&nbsp;Carrega, J. (2020). \u201cO filme de viagens e a revolu\u00e7\u00e3o tecnol\u00f3gica no cinema de Hollywood da d\u00e9cada de 1950\u201d.&nbsp;<em>Revista Livre de Cinema<\/em><strong>,&nbsp;<\/strong>vol. 7.&nbsp;<a href=\"http:\/\/www.relici.org.br\/index.php\/relici\/article\/view\/296\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/www.relici.org.br\/index.php\/relici\/article\/view\/296<\/strong><\/a><\/p>\n\n\n\n<p><strong>[2020]<\/strong>&nbsp;Carrega, J. &amp; Fernandez, S. (Eds.). (2020).\u201dDossi\u00ea Cinema e Literatura de Viagens\u201d.&nbsp;<em>Revista Livre de Cinema<\/em><strong>,&nbsp;<\/strong>vol. 7.&nbsp;<a href=\"http:\/\/www.relici.org.br\/index.php\/relici\/issue\/view\/25\/showToc\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/www.relici.org.br\/index.php\/relici\/issue\/view\/25\/showToc<\/strong><\/a><\/p>\n\n\n\n<p><strong>[2020]<\/strong>&nbsp;Carrega, J. (2020). \u201cG\u00e9neros populares e cinema transnacional na Europa mediterr\u00e2nea: o filme de aventuras de cape et d \u0301\u00e9pe\u00e9\u201d.&nbsp;<em>Revista Tr\u00edade \u2013 Comunica\u00e7\u00e3o, Cultura e M\u00eddia<\/em> v. 8 n. 19: M\u00eddias Visuais: arte, imagem, imagin\u00e1rio e audiovisual. DOI:<a href=\"https:\/\/doi.org\/10.22484\/2318-5694.2020v8n19p159-176\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>&nbsp;https:\/\/doi.org\/10.22484\/2318-5694.2020v8n19p159-176<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2020]<\/strong>&nbsp;Carrega, J. \u201cUma certa tend\u00eancia do filme musical de Hollywood\u201d. Claves 2020 n\u00ba 1. 2020. UFPB.&nbsp;<a href=\"https:\/\/periodicos.ufpb.br\/index.php\/claves\/article\/view\/56222\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>https:\/\/periodicos.ufpb.br\/index.php\/claves\/article\/view\/56222<\/strong><\/a><\/p>\n\n\n\n<p><strong>[2019]<\/strong>&nbsp;Carrega, J. (2019) \u201cG\u00e9neros populares e cinema transnacional na Europa Mediterr\u00e2nea: o caso do western mediterr\u00e2neo\u201d. <em>TROPOS-Comunica\u00e7\u00e3o, Sociedade e Cultura<\/em>, volume8, n\u00ba1. <a href=\"https:\/\/periodicos.ufac.br\/index.php\/tropos\/article\/view\/2605\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>https:\/\/periodicos.ufac.br\/index.php\/tropos\/article\/view\/2605<\/strong><\/a><\/p>\n\n\n\n<p><strong>[2019]<\/strong>&nbsp;Carrega, J.; Tavares, M. (2019) 1927-1935: Cineastas Europeus nas origens do Maneirismo de Hollywood. In: Ara\u00fajo, D; Carrega, J; Fechine, I. <em>Perspectivas Luso-Brasileiras em Artes e Comunica\u00e7\u00e3o<\/em> vol. 2, pp. 59-71.ISBN: 978-989-8859-68-6.<\/p>\n\n\n\n<p><strong>[2017]<\/strong>&nbsp;Carrega, J. (2017)\u201cG\u00e9neros Populares y Cine Transnacional en la Europa Mediterr\u00e1nea: Andr\u00e9 Hunbelle y el cine de aventuras\u201d. <em>\u00c1MBITOS: REVISTA DE ESTUDIOS DE CIENCIAS SOCIALES Y HUMANIDADES<\/em>, 38, 13-22.&nbsp;<a href=\"https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=6363039\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=6363039<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2017]<\/strong>&nbsp;Carrega, J. (2017). \u201cAventuras em Technicolor: Paraliteratura e Cinema Transnacional na Europa Mediterr\u00e2nea<em>\u201d. TROPOS: Comunica\u00e7\u00e3o, Sociedade e Cultura<\/em>, volume 6 n\u00ba 2 (2017):&nbsp;<a href=\"http:\/\/revistas.ufac.br\/revista\/index.php\/tropos\/article\/view\/1177\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/revistas.ufac.br\/revista\/index.php\/tropos\/article\/view\/1177<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2017]<\/strong>&nbsp;Carrega, J. (2017) \u201cO Cinema de Ray Harryhausen: Efeitos Especiais e Maneirismo no Cinema de Hollywood\u201d. <em>Contempor\u00e2nea Revista de Comunica\u00e7\u00e3o e Cultura,<\/em> volume 14, n\u00ba1 (2016):&nbsp;<a href=\"http:\/\/www.portalseer.ufba.br\/index.php\/contemporaneaposcom\/article\/view\/14341\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/www.portalseer.ufba.br\/index.php\/contemporaneaposcom\/article\/view\/14341<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2016]<\/strong>&nbsp;Carrega, J. (2016) O integrated dance musical como \u201cobra de arte total\u201d no cinema cl\u00e1ssico de Hollywood. <em>ALICERCES- Revista de Investiga\u00e7\u00e3o, Ci\u00eancia e Tecnologia,&nbsp;<\/em>n\u00ba 6, pp. 148-160. Instituto Polit\u00e9cnico de Lisboa.&nbsp;<a href=\"http:\/\/hdl.handle.net\/10400.21\/6817\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/hdl.handle.net\/10400.21\/6817<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2015]<\/strong>&nbsp;Carrega, J. (2015) \u201cO WESTERN ENTRE A HIST\u00d3RIA E O MITO: A Arte do Oeste Americano no Western de Hollywood\u201d.&nbsp;<em>METAKINEMA \u2013 Revista de Cine e Historia.&nbsp;<\/em><a href=\"http:\/\/www.metakinema.es\/metakineman17s1a1_Western_Art_Myth_Jorge_Carrega.html\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>http:\/\/www.metakinema.es\/metakineman17s1a1_Western_Art_Myth_Jorge_Carrega.html<\/strong><\/a>.<\/p>\n\n\n\n<p><strong>[2015]<\/strong>&nbsp;Carrega, J. (2015) \u201cOrson Welles y el cine de Hollywood en la d\u00e9cada de 1940\u201d. <em>\u00c1MBITOS -Revista de Estudios de Ciencias Sociales y Humanidades<\/em> n\u00ba 33, pp. 83-92.&nbsp;<a href=\"https:\/\/sapientia.ualg.pt\/handle\/10400.1\/8317\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>https:\/\/sapientia.ualg.pt\/handle\/10400.1\/8317<\/strong><\/a><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<style class=\"advgb-styles-renderer\">#advgb-col-2a6fe3b6-7ea5-47a2-863b-a3855f7fb161>.advgb-column-inner{}@media screen and (max-width: 1023px) {#advgb-col-2a6fe3b6-7ea5-47a2-863b-a3855f7fb161>.advgb-column-inner{}}@media screen and (max-width: 767px) {#advgb-col-2a6fe3b6-7ea5-47a2-863b-a3855f7fb161>.advgb-column-inner{}}#advgb-col-09d5c335-91d7-4fbf-86e9-eec7f820a5d2>.advgb-column-inner{}@media screen and (max-width: 1023px) {#advgb-col-09d5c335-91d7-4fbf-86e9-eec7f820a5d2>.advgb-column-inner{}}@media screen and (max-width: 767px) 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