{"id":6234,"date":"2024-07-10T11:36:57","date_gmt":"2024-07-10T10:36:57","guid":{"rendered":"https:\/\/ciac.pt\/?p=6234"},"modified":"2025-09-09T12:11:22","modified_gmt":"2025-09-09T11:11:22","slug":"creation-processes-conference","status":"publish","type":"post","link":"https:\/\/ciac.pt\/en\/evento\/creation-processes-conference\/","title":{"rendered":"Creation Processes Conference"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<div class=\"wp-block-themerain-slider\">\n\t<div class=\"swiper\" data-columns=\"1\" data-columns-tablet=\"2\" data-columns-mobile=\"1\" data-space=\"30\" data-space-tablet=\"30\" data-space-mobile=\"30\" data-loop=\"1\" data-autoplay=\"\" data-center=\"\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t\t<div class=\"swiper-slide\" style=\"aspect-ratio: 4\/3;\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1620\" height=\"1215\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1.jpg 1620w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-1-1536x1152.jpg 1536w\" data-sizes=\"(max-width: 1620px) 100vw, 1620px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1620px; --smush-placeholder-aspect-ratio: 1620\/1215;\" \/>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"swiper-slide\" style=\"aspect-ratio: 4\/3;\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1620\" height=\"1215\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4.jpg 1620w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-4-1536x1152.jpg 1536w\" data-sizes=\"(max-width: 1620px) 100vw, 1620px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1620px; --smush-placeholder-aspect-ratio: 1620\/1215;\" \/>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"swiper-slide\" style=\"aspect-ratio: 4\/3;\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1620\" height=\"1215\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6.jpg 1620w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-6-1536x1152.jpg 1536w\" data-sizes=\"(max-width: 1620px) 100vw, 1620px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1620px; --smush-placeholder-aspect-ratio: 1620\/1215;\" \/>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"swiper-slide\" style=\"aspect-ratio: 4\/3;\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1620\" height=\"1215\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10.jpg 1620w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-10-1536x1152.jpg 1536w\" data-sizes=\"(max-width: 1620px) 100vw, 1620px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1620px; --smush-placeholder-aspect-ratio: 1620\/1215;\" \/>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"swiper-slide\" style=\"aspect-ratio: 4\/3;\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1620\" height=\"1215\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8.jpg 1620w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/slide-8-1536x1152.jpg 1536w\" data-sizes=\"(max-width: 1620px) 100vw, 1620px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1620px; --smush-placeholder-aspect-ratio: 1620\/1215;\" \/>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-medium\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/cpdc2024en.svg\" alt=\"\" class=\"wp-image-6250 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Presentation<\/h2>\n\n\n\n<p>The International Conference Creation Processes CIAC is organized by the <a href=\"https:\/\/ciac.pt\/en\/research-groups-and-hubs\/visual-arts-and-creation-processes\/\">Visual Arts and Creation Processes Working Group<\/a> of the <a href=\"https:\/\/ciac.pt\/en\/\">Research Center in Arts and Communication (CIAC)<\/a> at the <a href=\"https:\/\/www.ualg.pt\/\">University of Algarve<\/a>.<\/p>\n\n\n\n<p>Resulting from an international collaboration, initiated in 2019, with the <a href=\"https:\/\/processosdecriacao.com.br\/\">Research Group in Creation Processes<\/a> of the <a href=\"https:\/\/www.pucsp.br\/home\">Pontifical Catholic University of S\u00e3o Paulo (PUC-SP)<\/a>, which has been dedicated to the broad area of Creation Processes and their intersections for over 30 years.<\/p>\n\n\n\n<p>The first edition of the Conference is dedicated to the theme of <strong><em>Theories that live in practices<\/em><\/strong> and will take place on <strong>October 28th and 29th, 2024<\/strong>, in Faro, at the University of Algarve, at the Penha Campus.<\/p>\n\n\n\n<p><p style=\"font-size:1.8em\"><a href=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/10\/Programa-Conferencia-PDC-web.pdf\"><strong>Conference Program<\/strong><\/a><\/p><\/p>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#DB0747;border-color:#DB0747;color:#DB0747\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Call for Submissions<\/h2>\n\n\n\n<p>In October 2024, artists and researchers gather at the University of Algarve, at the initiative of CIAC \u2013 Research Center in Arts and Communication, willing to contemplate Creation Processes across practices, materialities, procedures, and methods, under the theme of <strong><em>Theories  that live in practices.<\/em><\/strong><\/p>\n\n\n\n<p>CIAC has intensified studies and actions in the area of Creation Processes, especially since the beginning of the partnership with the Research Group in Creation Processes of PUC-SP (2019), cwith over 30 years of experience dedicated to research in this area. The results of this Portugal-Brazil partnership include the <a href=\"https:\/\/processosdecriacao.ciac.pt\/\">CIAC Creation Processes Collection<\/a> (2022), the <a href=\"https:\/\/www.ualg.pt\/curso\/1956\">Master&#8217;s Degree in Creation Processes at the University of Algarve<\/a>, and the CIAC Creation Processes Conference (2024).<\/p>\n\n\n\n<p>Thinking about Creation Processes in contemporary times means, among other things, contemplating the &#8220;faber&#8221; humanity that, in the face of its own incongruities and asymmetries, recreates, fictionalizes, and documents itself in multiple times and spaces. There is much art behind the scenes, in the theatre wings, in the frames and saved versions, in the costumes, in the pigments, in the rolls of paper, in the rearrangement of things, and in bringing people together.<\/p>\n\n\n\n<p>The focus of this first edition is the theories that live in these (so many) practices, aiming to be a door\/crack to showcase and experience this fruitful field.<\/p>\n\n\n\n<p>The Conference welcomes abstracts for presentations by artists and researchers on the theme of the edition, <strong><em>Theories that live in practices<\/em><\/strong>, and on other suggested central themes, but not limited to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Contemporary experimentation<\/li>\n\n\n\n<li>Theories of artistic creation and their poetics<\/li>\n\n\n\n<li>Materialities and procedures of artistic creation<\/li>\n\n\n\n<li>Culture, memory, and archives of creation<\/li>\n\n\n\n<li>Reception and group creation<\/li>\n\n\n\n<li>Research methodologies in creation processes<\/li>\n\n\n\n<li>Transdisciplinarity and creation processes<\/li>\n\n\n\n<li>Genetic criticism<\/li>\n\n\n\n<li>Creation and translations<\/li>\n\n\n\n<li>Creation processes reports<\/li>\n<\/ul>\n\n\n\n<p>Abstracts should have between 200 and 300 words and be submitted via the <a href=\"https:\/\/ciac.pt\/evento\/conferencia-processos-de-criacao\/#form-1\">Submission Form<\/a>, through the Conference website, by <strong>July 14, 2024.<\/strong><\/p>\n\n\n\n<p>After the event, speakers are invited to submit the full article, following the <a href=\"https:\/\/publicacoes.ciac.pt\/index.php\/rotura\/normas-editoriais\">CIAC Editions<\/a> guidelines, for publication in a special volume of the<em> Creation Processes Collection<\/em>.<\/p>\n\n\n\n<p>The registration is free.<\/p>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#44B9C0;border-color:#44B9C0;color:#44B9C0\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"form-1\">Submission<\/h2>\n\n\n\n<p><a href=\"https:\/\/forms.gle\/YmKbpwD8cw1Npp5f9\">Registration Form<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#54AF43;border-color:#54AF43;color:#54AF43\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Registration<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSccrrJVZBnUSxmOHEQN4mLI7PEIPC1_RXhmM15jpd_mVIphzQ\/viewform\">Conference<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSceKHwcB6OCMKD831AclDlVmgNckzeHhwI-X6KlqulvdHOuSA\/viewform\">Workshops<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#DB0747;border-color:#DB0747;color:#DB0747\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Important Dates<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Submission of abstracts: <strong>July 14th, 2024<\/strong><\/li>\n\n\n\n<li>Communication of results to participants: <strong>August 16th, 2024<\/strong><\/li>\n\n\n\n<li>Full program: <strong>October 10th, 2024<\/strong><\/li>\n\n\n\n<li>Pre-Conference: <strong>October 26th, 2024<\/strong><\/li>\n\n\n\n<li>Conference: <strong>October 28th and 29th, 2024<\/strong><a id=\"_msocom_1\"><\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#fbe91c;border-color:#fbe91c;color:#fbe91c\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Keynotes<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/cecilia-salles.jpg\" alt=\"\" class=\"wp-image-7839 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/cecilia-salles.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/cecilia-salles-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Cecilia Salles<\/h4>\n\n\n\n<p>Cecilia Salles is an international reference in the field of Creation Processes, with over 30 years dedicated to this field of study, which has grown significantly in recent years, in part due to her contributions. She is the author of several books on the subject, including &#8220;Unfinished Gesture: Artistic Creation Process&#8221; (1998), &#8220;Genetic Criticism: A (New) Introduction&#8221; (2008), &#8220;Networks of Creation: Construction of Works of Art&#8221; (2006), &#8220;Creation Archives: Art and Curatorship&#8221; (2010), and &#8220;Group Creation Processes: Dialogues&#8221; (2017). She is a Full Professor in the Postgraduate Program in Communication and Semiotics at PUC-SP, as well as a Guest Professor in the Master&#8217;s Program in Creation Processes at the University of Algarve, where she was involved in the creation of the program. She is also the Coordinator of the Research Group in Creation Processes at PUC-SP, where she supervises innovative studies based on the cross-sectional approach to Creation Processes. She participates in various national and international projects, focusing on the approach to Creation Processes; and, since 2019, she has collaborated with CIAC, significantly contributing to the advancement of contemporary discussions on the topic.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/05\/manuela-penafria.jpg\" alt=\"\" class=\"wp-image-6677 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/05\/manuela-penafria.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/05\/manuela-penafria-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Manuela Penafria<\/h4>\n\n\n\n<p>Manuela Penafria&nbsp;is Associate Professor at the Dept. of Arts, from the University of Beira Interior (UBI) where she received her PhD in Communication Sciences, Cinema variant, in 2006, and is a researcher at LabCom and iA* Arts Research Unit. At UBI, she teaches in the BA and MA in Cinema courses such as &#8220;Cinema Theory I&#8221;, &#8220;Arts Research&#8221;, &#8220;Filmmakers on Film&#8221; and also coordinates the documentary module of the Cinema Project curricular units and teaches Cinema Seminar modules on programming and cinephilia. She is co-editor of the DOC On-line journal dedicated to documentary film. At AIM she is a coordinating member of the Working Group &#8220;Filmmakers on Film&#8221;. She has participated in evaluation panels in entities such as A3es-Agency for Assessment and Accreditation of Higher Education or ICA-Cinema and Audiovisual Institute and in juries of competitions and academic exams in national universities and polytechnics. Among her publications, she highlights two pedagogical dossiers for the National Cinema Plan, the collection of three books about the cinema theory approach under the designation Filmmakers on Film (Ed. LabCom, 2016 and 2017), the co-edition of the book Filmmakers on Film- Global Perspectives, by BFI, 2023 and the book chapter &#8220;Unfinished: the cinema of No\u00e9mia Delgado&#8221; published in the book Women&#8217;s Cinema in Contemporary Portugal, edited by Mariana Liz &amp; Hilary Owen, by Bloomsbury, which received the AIM Best Essay Award, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/leonardo-mouramateus.jpg\" alt=\"\" class=\"wp-image-7841 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/leonardo-mouramateus.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/leonardo-mouramateus-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Leonardo Mouramateus<\/h4>\n\n\n\n<p>Leonardo Mouramateus (Fortaleza, 1991) is a Brazilian filmmaker, dramaturgist, and screenwriter based in Lisbon since 2014. Master in Multimedia Art by the University of Lisbon, graduated in Cinema and Audiovisual at the Federal University of Cear\u00e1, always staying close to the performing arts and dance dramaturgy. He wrote and directed films shown at several festivals such as Locarno, Viennale, IDFA, Cin\u00e9ma du R\u00e9el and Bafici. Retrospectives of his filmography were presented in Portugal, France, Colombia, and more recently at the IFFRotterdam. &#8220;Antonio One Two Three&#8221; (2017), a Portuguese-Brazilian co-production and his first feature film, premiered at the Rotterdam Film Festival. &#8220;Life is Two Days&#8221; (2022), his second feature film, premiered in the international competition at FIDMarseille, received an honorable mention of the international competition jury. &#8220;Greice,&#8221; his third feature film, premiered in 2024, at the Rotterdam Film Festival.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#54AF43;border-color:#54AF43;color:#54AF43\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Pre-conference Workshops<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista-1024x768.jpg\" alt=\"\" class=\"wp-image-7854 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista-1536x1152.jpg 1536w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/pontos-em-vista.jpg 1620w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/768;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading\">Workshop<br>Points in View<\/h3>\n\n\n\n<p><strong>With Kenia Dias and Wagner de Miranda<\/strong><\/p>\n\n\n\n<p>Gama Rama Gallery<br>Rua do Prior, 13, Faro<br>October 26th<br>10h<\/p>\n\n\n\n<p>A creative workshop based on the study of movement and its poetic developments. What other ways of being in space can expand the perspectives of the body? How can the same sequence of movement be danced with different versions and qualities of presence? Scenic situations will be individually and collectively investigated based on movements, created images, and transitional articulations of meaning, in order to expand the possibilities of assembling, demolishing, and reinventing dramaturgies.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/kenia-dias.jpg\" alt=\"\" class=\"wp-image-7849 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/kenia-dias.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/kenia-dias-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Kenia Dias<\/h4>\n\n\n\n<p>Kenia Dias is a director, performer, and professor in the Department of Performing Arts at the University of Bras\u00edlia. Her research focuses on investigating bodily dramaturgies for the stage and analyzing records of creative processes. She works with various artists, collectives, and dance and theater companies across the country. In 2023, she was nominated for the Cesgranrio, APTR, APCA, and Shell awards for best movement direction and also for the ensemble for the play &#8220;Sem Palavras&#8221; by the Companhia Brasileira de Teatro. She has been the movement director for plays such as &#8220;Vaga Carne&#8221; by Grace Pass\u00f4, &#8220;Stabat Mater&#8221; by Jana\u00edna Leite, &#8220;Eu de Voc\u00ea&#8221; by Denise Fraga, &#8220;N\u00f3s&#8221; by Grupo Galp\u00e3o, &#8220;Outros&#8221; also by Grupo Galp\u00e3o, &#8220;O Filho&#8221; by Teatro da Vertigem, and &#8220;Contra\u00e7\u00f5es&#8221; by Grupo 3 de Teatro, which were also awarded and nominated for best play and ensemble by APCA, SHELL, Cesgranrio, Bravo!, among others. Her recent works include &#8220;O Que S\u00f3 Sabemos Juntos&#8221; with Denise Fraga and Tony Ramos, directed by Luiz Villa\u00e7a, for which she signed the movement direction (2024); &#8220;Resid\u00eancia V\u00f4o Livre-Sonho Manifesto&#8221; with Companhia Brasileira de Teatro, as a collaborator (2024); &#8220;.m.a.n.i.f.e.s.t.a.&#8221; co-directed with Marise Dinis with Companhia de Dan\u00e7a do Pal\u00e1cio das Artes\/MG (2022); &#8220;Sem Palavras&#8221; with Companhia Brasileira de Teatro directed by M\u00e1rcio Abreu (2021, with 11 award nominations). She holds a PhD in Communication and Semiotics from PUC-SP, a master&#8217;s degree in Arts, and a bachelor&#8217;s degree in Theatre Interpretation from the University of Bras\u00edlia, and is a member of the Research Group on Creative Processes at PUC-SP.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/wagner-de-miranda.jpg\" alt=\"\" class=\"wp-image-7851 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/wagner-de-miranda.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/wagner-de-miranda-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Wagner de Miranda<\/h4>\n\n\n\n<p><span id=\"docs-internal-guid-35412245-7fff-8f9c-c12f-8ddf56f782f8\">Wagner de Miranda is a visual artist, actor, theater director, cultural manager, and professor at the Centro Universit\u00e1rio Belas Artes de S\u00e3o Paulo, where he coordinates the Graduate Program in Theater and Performance. He is an actor trained at the Casa das Artes de Laranjeiras (CAL) in Rio de Janeiro. He founded and directed the Cia Teatro das Epifanias from 2002 to 2007, a company that won the S\u00e3o Paulo City&#8217;s Theater Funding Law in 2007 and was part of the Ateli\u00ea Compartilhado project. As the artistic director of Cia Espont\u00e2nea de Teatro, founded in 2010, he directed works such as \u201cMalas, palha\u00e7os e cambalachos\u201d \u2013 awarded best actor, costumes, and set design at the II Festival de Teatro da Cidade de S\u00e3o Paulo, and \u201cTia Emanuelle\u201d, nominated for best musical at the Bibi Ferreira Award, and the dance\/performance show \u201cSintonia\u201d, presented in various countries such as Brazil (Rio de Janeiro and S\u00e3o Paulo), Mexico (University of Puebla), and the United States (New York and Miami). As actor, he has worked with directors like Amir Haddad, Marcio Vianna, Dagoberto Feliz, Marilena Bibas, Tizuka Yamazaki, Em\u00edlio di Biasi, Luiz Fernando Carvalho, and Gabriel Villela. He is the author of the book \u201cRoberto Alencar: O corpo em tr\u00e2nsito\u201d and several book chapters and articles on creation processes in various academic journals, and one of the editors of the Collection Processes of Creation. He is a guest lecturer in the Master\u2019s in Creation Processes at the University of Algarve and a collaborator researcher at the Center for Research in Art and Communication (CIAC\/UAlg), through the international collaboration protocol with the Research Group in Creation Processes at PUC-SP. He holds a PhD and a Master\u2019s in Communication and Semiotics, in the line of Creation Processes in Communication and Culture (PUC-SP), a degree in Visual Arts and Theater, and a postgraduate degree in Art History \u2013 Theory and Criticism. His research field mainly includes multidisciplinary artistic and communicational processes in contemporary scenic experimentation.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background\"style=\"height:2em\" \/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais-1024x768.jpg\" alt=\"\" class=\"wp-image-7856 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais-1024x768.jpg 1024w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais-300x225.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais-768x576.jpg 768w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais-1536x1152.jpg 1536w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/imagens-sensoriais.jpg 1620w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/768;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading\"><strong>Workshop<\/strong><br>Sensory Images<\/h3>\n\n\n\n<p><strong>With Camila Mangueira and Fabr\u00edcio Fava<\/strong><\/p>\n\n\n\n<p>Gama Rama Gallery<br>Rua do Prior, 13, Faro<br>October 26th<br>14h<\/p>\n\n\n\n<p>The increasing multiplication of functions, processes, and multimedia image systems demands, more than ever, a critical understanding that considers the image as a complex environment of interconnected languages, practices, and objects. Based on the Metaimage proposal, which aims to expand the idea of an image beyond visual representation, we will explore senses, memory, and play as ways of experimenting with the image as a multimodal element. Through sensory investigation exercises and creative group dialogues, we will discuss concepts, capture image translation processes, and produce possible narratives and propositions of the sensory image.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/camila-mangueira.jpg\" alt=\"\" class=\"wp-image-7845 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/camila-mangueira.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/camila-mangueira-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Camila Mangueira<\/h4>\n\n\n\n<p>Camila Mangueira is a professor, designer, and artist-researcher integrated into i2ADS \u2013 Institute for Research in Art, Design, and Society, where she is responsible for the Media Filos\u00f3ficos (PhilMe) project. She is interested in the relationships between logics, media, and image devices in the analog and digital realms from the perspective of creation processes and media archaeology. She holds a postdoctoral degree in Design from the Faculty of Fine Arts of the University of Porto with the critical-creative proposal of Metaimagem and a PhD in Communication and Semiotics (PUC-SP) with the thesis The Photographic Thought. She is a guest lecturer in the Master\u2019s in Creation Processes at the University of Algarve and a collaborator researcher at the Center for Research in Art and Communication (CIAC\/UAlg), through the international collaboration protocol with the Research Group in Creation Processes at PUC-SP.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img decoding=\"async\" width=\"300\" height=\"300\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/fabricio-fava.jpg\" alt=\"\" class=\"wp-image-7847 lazyload\" data-srcset=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/fabricio-fava.jpg 300w, https:\/\/ciac.pt\/wp-content\/uploads\/2024\/06\/fabricio-fava-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Fabr\u00edcio Fava<\/h4>\n\n\n\n<p>Fabr\u00edcio Fava is a multidisciplinary designer and researcher at i2ADS &#8211; Institute of Research in Art, Design, and Society, where he promotes research through design. As the moderator of the interest group in Playful Interfaces and Speculative Design (iLudens), he has been exploring playful methodologies and expanding the idea of playful design as a way to develop creative thinking. He holds a PhD in Communication and Semiotics from PUC-SP with a thesis on the multidisciplinary relationships between design, creativity, games, and learning from a systemic perspective.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Other Activities<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/10\/operacao-bangkok_cartaz.jpg\" alt=\"\" class=\"wp-image-9572 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 764px; --smush-placeholder-aspect-ratio: 764\/1080;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading\">Pop-up Artist Exhibition \u201cOperation Bangkok\u201d<\/h3>\n\n\n\n<p><strong>Ana Andr\u00e9, \u00c2ngelo Gon\u00e7alves, Christine Henry, Jos\u00e9 Oliveira, Milita Dor\u00e9, Miguel Cheta, Paulo Serra, R\u00faben Gon\u00e7alves, Vasco Vidigal<br>Curator: Susana Rodrigues<\/strong><\/p>\n\n\n\n<p><strong>October 28-29, 2024<br><\/strong>University of Algarve<br>Hall of the Pedagogical Complex of Penha<\/p>\n\n\n\n<p>In celebration of the 50th anniversary of the April Revolution, curator Susana Rodrigues appropriated the code name given to the two captains from Algarve who fought for the region&#8217;s inclusion in the national revolution.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Thus, the exhibition &#8220;Operation Bangkok&#8221; brought together nine artists, most of them from Algarve, to exhibit in the north of the country, returning now in this pop-up version as part of the 2024 CIAC International Conference on Creation Processes.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Through their practices and techniques in painting, sculpture, installation, drawing, and photography, these artists take us to their territory with diverse perspectives, addressing topics such as landscape and urban architecture, local traditions, natural and urban sounds, and the political, social, and environmental concerns of the region.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/10\/289_visita-guiada.jpg\" alt=\"\" class=\"wp-image-9570 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1080px; --smush-placeholder-aspect-ratio: 1080\/1080;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading\"><strong>Guided Tour of the New Headquarters of Associa\u00e7\u00e3o 289 \u2013 Collective Exhibition \u201cDisruptive Deviations\u201d<\/strong><\/h3>\n\n\n\n<p><strong>October 28, 2024 | 7:30 PM<\/strong><br>Associa\u00e7\u00e3o 289 \u2013 Cercado da Atalaia<\/p>\n\n\n\n<p>As part of the CIAC International Conference on Creation Processes, Associa\u00e7\u00e3o 289 is hosting a guided tour of its new headquarters and the Collective Exhibition \u201cDisruptive Deviations,\u201d with the presence of the artists.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The tour, scheduled for Monday, October 28, at 7:30 PM, is one of the conference\u2019s Cultural Activity recommendations, aimed at those interested in exploring the artistic production of the region.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Associa\u00e7\u00e3o 289 (<a href=\"https:\/\/www.instagram.com\/289_FARO\">@289_FARO<\/a>) was born from the desire of a group of visual artists residing in Algarve to find a space where they could develop their work. What started as a small group of just three or four people quickly grew, consolidating the idea of creating an association.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Initially driven by the search for a new workspace, this effort has evolved into an association that currently comprises 21 members dedicated to enhancing visual arts in the Algarve region.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The association\u2019s new headquarters, recently inaugurated in Cercado da Atalaia, is hosting the collective exhibition \u201cDisruptive Deviations,\u201d which opens on October 28 at 7:30 PM with a guided tour by the artists, in the context of the CIAC International Conference on Creation Processes.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/10\/ato-de-leitura-em-processo_Leonardo-S.jpg\" alt=\"\" class=\"wp-image-9568 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1080px; --smush-placeholder-aspect-ratio: 1080\/809;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading\">Reading Performance in Process \u2013 Leonardo S.<\/h3>\n\n\n\n<p><strong>October 29, 2024 | 5:30 PM<br><\/strong>University of Algarve \u2013 Auditorium 1.5<br>Pedagogical Complex of Penha<\/p>\n\n\n\n<p>As part of the CIAC International Conference on Creation Processes, performer Leonardo S. will present a Reading Performance of his letters \u201cSemente\u201d (\u201cSeed\u201d) and \u201cApetite de Movimento\u201d (\u201cAppetite for Movement\u201d).&nbsp;&nbsp;<\/p>\n\n\n\n<p>The letters are a form of writing that connects to distances. They have both a sender and a recipient, embodying a displacement, a journey between two points. In the first, Leonardo S. explores pathways between friendship and creation, and in the second, between the body and creation.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Leonardo S.\u2019s Reading Performance will take place on the final day of the event, October 29, at 5:30 PM, in room 1.5 of the Pedagogical Complex of Penha at the University of Algarve, concluding the conference dedicated to the themes of creation.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Leonardo S. (<a href=\"https:\/\/www.instagram.com\/olhosenormes\">@olhosenormes<\/a>) (Recife, Brazil, 1981) is an artist, professor, and producer of theater and performance. His work includes writing, collage, and artistic walks. He is a Master\u2019s student at PPGAC (University of S\u00e3o Paulo), holds a Postgraduate degree in Creation Processes from FCHS (University of Algarve), and was part of PACAP 5 (Advanced Program in Performing Arts Creation) at F\u00f3rum Dan\u00e7a, Lisbon. He holds a degree in Performing Arts from the University of Bras\u00edlia.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Leonardo S. was a student in the first class of the Postgraduate Program in Creation Processes at the University of Algarve.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#DB0747;border-color:#DB0747;color:#DB0747\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Organization<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Organization<\/h3>\n\n\n\n<p>CIAC \u2013 Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">CIAC Coordination<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mirian Tavares<\/li>\n\n\n\n<li>Bruno Mendes da Silva<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Co-organization<\/h3>\n\n\n\n<p>Creation Processes Research Group of Pontifical Catholic University of S\u00e3o Paulo (PUC-SP)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Creation Processes Research Group of PUC-SP Coordination<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cecilia Almeida Salles<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Conference President<\/h4>\n\n\n\n<p>Mirian Tavares<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Responsible Researcher<\/h4>\n\n\n\n<p>Patr\u00edcia Dourado<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Organizing Committee<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Patr\u00edcia Dourado (UAlg\/CIAC, Portugal) (Coordena\u00e7\u00e3o)<\/li>\n\n\n\n<li>Alexandre Alves Barata (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Clara Santos (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Isabel Soares (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Camila Mangueira (UP\/FBAUP, Portugal)<\/li>\n\n\n\n<li>Cecilia Almeida Salles (PUC-SP, Brasil)<\/li>\n\n\n\n<li>Kenia Dias (UnB, Brasil)<\/li>\n\n\n\n<li>Mirian Tavares (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Pedro Cabral Santo (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Wagner de Miranda (PUC-SP, Brasil)<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Scientific Committee<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alexandre Alves Barata (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Alexandra Carvalho (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Clara Santos (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Isabel Soares (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ana Filipa Cerol (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ant\u00f3nio Branco (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Ant\u00f3nio Costa Valente (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Bruno Mendes da Silva (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Camila Mangueira (UP\/FBAUP, Portugal)<\/li>\n\n\n\n<li>Carina Infante (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Cecilia Almeida Salles (PUC-SP, Brasil)<\/li>\n\n\n\n<li>Fabr\u00edcio Fava (UP\/FBAUP, Portugal)<\/li>\n\n\n\n<li>Gabriela Borges (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Jo\u00e3o Carlos Carvalho (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Jorge Carrega (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Kenia Dias (UNB, Brasil)&nbsp;<\/li>\n\n\n\n<li>Mirian Tavares (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Patr\u00edcia Dourado (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Pedro Alves da Veiga (UAB\/CIAC, Portugal)<\/li>\n\n\n\n<li>Pedro Cabral Santo (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>Susana Costa (UAlg\/CIAC, Portugal)<\/li>\n\n\n\n<li>V\u00edtor Kisil (BA, Brasil)&nbsp;<\/li>\n\n\n\n<li>Wagner de Miranda (PUC-SP, Brasil)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Communication and Logistics Committee<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Beatriz Valente (Communication and Logistics)<\/li>\n\n\n\n<li>Juan Manuel Escribano Loza (Visual Identity and Webmaster)<\/li>\n\n\n\n<li>Jo\u00e3o Paulo Reis (Communication and Logistics \/ Photo and Video Coverage)<\/li>\n\n\n\n<li>Josu\u00e9 Soares Guedes (Communication Fellow \/ Photo and Video Coverage)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Volunteers<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gabriele Teodoro<\/li>\n\n\n\n<li>Irena da Costa<\/li>\n\n\n\n<li>Vin\u00edcius Sgroi<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#44B9C0;border-color:#44B9C0;color:#44B9C0\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<iframe data-src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m17!1m12!1m3!1d3185.2826679035766!2d-7.924335724639342!3d37.02690605488817!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m2!1m1!2zMzfCsDAxJzM2LjkiTiA3wrA1NScxOC4zIlc!5e0!3m2!1ses!2spt!4v1709811909920!5m2!1ses!2spt\" width=\"600\" height=\"450\" style=\"border:0;\" allowfullscreen=\"\" referrerpolicy=\"no-referrer-when-downgrade\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#54AF43;border-color:#54AF43;color:#54AF43\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Organization<\/h3>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/04\/organizam.svg\" alt=\"\" class=\"wp-image-6171 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Support<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" data-src=\"https:\/\/ciac.pt\/wp-content\/uploads\/2024\/07\/apoios-1.svg\" alt=\"\" class=\"wp-image-8192 lazyload\" style=\"object-fit:cover\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator alignwide has-text-color has-alpha-channel-opacity has-background\" style=\"background-color:#ffffff;border-color:#ffffff;color:#ffffff\"\/>\n\n\n\n<p>This work is financed by national funds through FCT \u2013 Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P., in the framework of projects \u00abUIDB\/04019\/2020\u00bb and \u00abUIDP\/04019\/2020\u00bb.<\/p>\n\n\n\n\n<style class=\"advgb-styles-renderer\">\n@media only screen and (max-width: 1024px) {\n   header.site-header { margin-bottom: 0 !important }\n}\ndiv.header-bottom.transition-down { padding-top: 0 }\n@media only screen and (max-width: 800px) {\nh1,h2,h3,h4,h5,h6 {\nfont-size:1.5em;\n}\n<\/style>","protected":false},"excerpt":{"rendered":"<p>October 28-29th, 2024<\/p>\n","protected":false},"author":1,"featured_media":6244,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_eb_attr":"","inline_featured_image":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[141,109],"tags":[],"class_list":["post-6234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","category-evento"],"yoast_head":"<!-- This site is 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